Apollo’s Fire welcomes the holidays with fiddle fireworks! Corelli’s famed Christmas Concerto for Two Violins highlights the first half, along with Heinrich Biber’s soulful violin sonata on The Annunciation (the Angel Gabriel’s visit to the Virgin Mary) and selections from Handel’s Messiah. After intermission, the Masked Fiddlers lead a toe-tapping Christmas Barn Dance of traditional carols and fiddle tunes in the Irish and Appalachian traditions. Virtuosity explodes from all corners!
*The program may be performed without the Chamber Singers if social distancing is still in place in December.
Pre-Concert ZOOM Talks
Don’t miss the lively discussion with 2 AF musicians. Choose Saturday 12/12 or Saturday 12/19 at 1:00pm. A ZOOM link will be sent to all ticket holders for these concerts.
Post-Concert VIRTUAL LOBBY
Meet 2-3 of the featured the artists in our new Q&A ZOOM discussions – Sunday 12/13 (for patrons who attend the live concert) and Tuesday 12/22 at 7:30pm (for patrons who watch the video at home). Sit down with a glass of wine for 30 minutes and toast the musicians on their performance!
has been praised as “the star of the evening” (Seen and Heard International, UK) and “charismatic and theatrically arresting” (San Francisco Chronicle). A highly versatile musician, she is at home in repertoire from Monteverdi to Mozart to Ravel, and has toured internationally as soloist in baroque opera, oratorio, and crossover folk programs. Her tour performances with GRAMMY®-winning baroque orchestra Apollo’s Fire (Jeannette Sorrell) include such venues as the National Concert Hall of Ireland in Dublin, the Irish National Opera House, the Aldeburgh Festival (UK), the Metropolitan Museum in New York, the National Gallery in Washington, and Zellerbach Hall in San Francisco, among others. Her 2019 debut as Messiah soloist with the Calgary Symphony won kudos as “the soloist of the night… singing to perfection.”
As a recording artist, Ms Powell has been featured on several Apollo’s Fire albums including Sugarloaf Mountain, Sephardic Journey, and Christmas on Sugarloaf Mountain, all of which received rave reviews on both sides of the Atlantic and debuted in the top ten on the BILLBOARD Classical Chart. Her 2015 solo debut album, Beyond Boundaries, is an intimate program of folk, jazz, and global music. She is a fluent improvisor and has collaborated with such artists as Bobby McFerrin and Sheila Jordan.
hails from Terrebonne in Québec and brings communicative enthusiasm and scholarship to concerts throughout North America and Europe. In addition to directing the chamber ensemble Sonate 1704, he performs as Music Director with Les Goûts Réunis in Luxembourg, as a member of Four Nations Ensemble in New York, and as soloist with many Montréal-based ensembles including the Ensemble Caprice, Les Boréades de Montréal, Quatuor Franz Joseph, and Les Idées heureuses. He holds a Doctorate from the Université de Montréal, where he specialized in 18th-century violin repertoire. He has led workshops and masterclasses at the Conservatoire de Musique de Montréal, CWRU, Oberlin Conservatory, Penn State University, University of Michigan, the Conservatoire Royal de Musique de Bruxelles and The Conservatoire National Supérieur de Musique et de Danse de Paris. He has participated in over 65 recordings, many award-winning. In 2011 he received the medal of the Assemblée Nationale de Québec for cultural contributions to his nation. Mr. Brault joined the early music faculty of McGill University in Montréal teaching baroque violin in 2017.
SUSANNA PERRY GILMORE
enjoys a multifaceted career as solo artist, chamber musician, and orchestral concertmaster. Performing on both modern and period instruments and versatile in diverse styles from classical to fiddling, she is hailed as a player who is both “thrilling and sensitive” by the Memphis Commercial Appeal, “luminous and hypnotic” by the Omaha World-Herald, and “authentic with exquisite good taste” by the Cleveland Plain Dealer. Shehas frequently been heard in chamber ensembles on National Public Radio shows such as Performance Today, A Prairie Home Companion, and America’s Music Festivals.
After beginning her career as a chamber player, at the age of twenty-six Ms. Gilmore became concertmaster of the Memphis Symphony Orchestra. There, as in Omaha, she frequently appeared as a soloist performing works such as Mozart’s Violin Concerto in A Major, Alban Berg’s Violin Concerto, Max Bruch’s Scottish Fantasy, Erich Korngold’s Violin Concerto, Ravel’s Tzigane, Prokofiev’s Violin Concerto No. 2, and Vivaldi’s Four Seasons. In July 2014 she performed the European premiere of Jennifer Higdon’s The Singing Rooms for solo violin, choir and orchestra in Paris, France. In May 2016 she was guest concertmaster and soloist with the Naples Philharmonic, Florida, for a baroque concert and was soloist and leader of Bach’s Brandenburg Concerti for the inaugural concert of the Tippet Rise Music Festival, Montana, in June 2016.
Ms. Gilmore has been a frequent guest violinist/fiddler with the acclaimed period music ensemble Apollo’s Fire (Cleveland), with whom she appears on the CD Sugarloaf Mountain: An Appalachian Gathering(Billboard Top 10 classical bestseller) and the CD Sephardic Journey: Wanderings of the Spanish Jews (Billboard Top 10 classical bestseller) which features the early 17th-century composer Salamone Rossi. In the spring of 2017 she will perform Sugarloaf Mountain around the U.S. culminating in a performance at the National Gallery in D.C. in April.
Ms. Gilmore holds a Bachelor’s degree from Oxford University (UK), where she studied musicology and performed both early music and symphonic repertoire while studying privately with Yfrah Neaman. She spent a post-graduate year in the Advanced Solo Studies Program at the Guildhall School of Music and Drama in London. Upon returning to the United States, she earned a Master’s in Violin Performance from the New England Conservatory, where she studied with James Buswell. Prior to her studies in England, Ms. Gilmore studied with Christian Teal at the Blair School of Music in the pre-college program and as a child began her violin studies with Mimi Zweig at Indiana University. On baroque violin Ms. Gilmore has studied with Robert Mealy, Cynthia Roberts, and Marilyn McDonald at the Oberlin Baroque Performance Institute.
Ms. Gilmore learned to play Celtic fiddle in her youth through sitting in on Irish sessions during her years in Nashville and England. In March 2016 she made her Celtic fiddle debut in Omaha on the Celtic Journey pops concerts, which she helped produce.
When not working as a classical and baroque violinist and fiddler, Ms. Gilmore spends time with her two daughters, Katy and Zoe. She performs on a 1776 Joseph Odoardi violin.
Singaporean violinist Alan Choo has established himself on the global stage as a leading soloist, chamber musician and historical specialist. He made his solo debut with the Grammy Award-winning baroque orchestra, Apollo’s Fire, at the Tanglewood and Ravinia Music Festivals in 2017, and currently serves as Artistic Leadership Fellow for the ensemble, where he takes on soloist, concertmaster and guest director roles for the 2019-20 season. He is also Founder and Artistic Director of Red Dot Baroque, Singapore’s first professional period ensemble, which has enjoyed multiple sold-out concerts and critical acclaim since their formation in August 2018. In May 2019 he was invited as guest concertmaster and soloist with the Shanghai-based baroque ensemble, Shanghai Camerata.
As a modern violinist, Alan has appeared as a soloist with the St. Petersburg Symphony Orchestra, Singapore Symphony Orchestra, Singapore Chinese Orchestra, Orchestra of the Music Makers and more. A proponent of contemporary music, Alan is co-founder of SG Inspirations, a project dedicated to performing works by Singaporean composers. In 2015, he recorded the SG Inspirations commemorative CD album with pianist Lin Hengyue as a gift to their nation on Singapore’s 50th anniversary. His piano trio Trio Phoenix combines both worlds of early and contemporary music by performing works by living composers and exploring the wealth of baroque repertoire performed with stylistic awareness on modern instruments. The trio completed their Asia Summer Tour in 2015 to critical acclaim, with repertoire ranging from Jean-Philippe Rameau to Alfred Schnittke, and were guest artists at the Lexington Bach Festival 2017.
Alan’s achievements in all areas of performance have earned him awards such as the Early Music Award 2016 from Peabody Conservatory, the Paul Abisheganaden Grant for Artistic Excellence 2015, the Goh Soon Tioe Centenary Award 2014, the Grace Clagett Ranney Prize in Chamber Music 2014 and 1st prize in the National Piano and Violin Competition 2011, Artist Category. He has also given masterclasses and lectures in violin performance, performance practice and stage presence to college students at Baldwin-Wallace College, Bowling Green State University, Yong Siew Toh Conservatory and Nanyang Academy of Fine Arts.
A graduate of the Yong Siew Toh Conservatory and Peabody Conservatory, Alan is currently in his final year at Case Western Reserve University pursuing a Doctorate in Historical Performance Practice under Julie Andrijeski. His past teachers include Victor Danchenko, Alexander Souptel and Risa Browder.
is a graduate of the Eastman School of Music. She holds a Professional Diploma from Roosevelt University and a Master’s degree in music from the University of North Texas. She has performed with Atlanta Baroque Orchestra, Fort Worth Early Music and San Francisco Bach Choir. Currently she performs with the Baroque Band, Bach & Beethoven Ensemble, and Haymarket Opera Company in Chicago.