ALAN CHOO

Violinist Alan Choo, whose performances have been described by The Straits Times Singapore as “an intoxicating brew of poetry and dare-devilry,” performs on the global stage as a leading soloist, chamber musician and historical specialist. He made his solo debut with Apollo’s Fire at the Tanglewood and Ravinia Music Festivals in 2017, and currently serves as Concertmaster and Assistant Artistic Director for the ensemble. He is also Founder and Artistic Director of Red Dot Baroque, Singapore’s first professional period ensemble and Ensemble-in-Residence at the Yong Siew Toh Conservatory of Music. In May 2019, he was invited as guest concertmaster and soloist with the Shanghai-based baroque ensemble, Shanghai Camerata. He has also appeared as a soloist with the St. Petersburg Symphony Orchestra, Singapore Symphony Orchestra, Singapore Chinese Orchestra, Orchestra of the Music Makers and more.
 
Alan is the recipient of the Early Music Award 2016 from Peabody Conservatory, the Paul Abisheganaden Grant for Artistic Excellence 2015, the Goh Soon Tioe Centenary Award 2014, the Grace Clagett Ranney Prize in Chamber Music 2014 and 1st prize in the National Piano and Violin Competition 2011, Artist Category. He has also given masterclasses and lectures in violin performance, performance practice and stage presence to college students at the Cleveland Institute of Music, Michigan State University, Baldwin-Wallace College, Bowling Green State University, Yong Siew Toh Conservatory and Nanyang Academy of Fine Arts.
 
Alan holds a Doctorate in Historical Performance from Case Western Reserve University, as well as degrees from the Peabody Conservatory and the Yong Siew Toh Conservatory. His teachers include Julie Andrijeski, Risa Browder, Victor Danchenko and Alexander Souptel. He is currently recording an album of the complete Rosary Sonatas by Heinrich Biber with Apollo’s Fire.

 
WEBSITE

EDWARD VOGEL

Described by Opera News as “accomplished, stylistically informed,” and “sonorous,” baritone Edward Vogel finds his passion in performing early music, oratorio, and art song. Possessing a diverse solo repertoire spanning nearly ten centuries, his sensitive interpretations have been heard onstage with such orchestras as the New Haven Symphony Orchestra; the Yale Philharmonia; Juilliard415; and the Tanglewood Music Center Orchestra, as well as in intimate recital settings across the eastern United States. He has sung as a soloist under the baton of conductors including Masaaki Suzuki, David Hill, Nicholas McGegan, and Gemma New.

An avid choral singer who began his musical training as a boy soprano, Vogel has appeared with international ensembles such as Theatre of Voices, Bach Collegium Japan, and the Yale Schola Cantorum, with whom he has participated in recordings on the Hyperion label.

Edward recently completed his Master of Music degree at the Yale School of Music, where he studied under tenor James Taylor, and was a member of the Yale Voxtet program. He received his undergraduate degree from the University of Notre Dame.

WEBSITE

“The U.S.A.’s hottest baroque band.” –CLASSICAL MUSIC MAGAZINE (UK)