ALAN CHOO

Alan Choo, violin, “was a dynamo, delivering lines with panache. He exemplified virtuosity” (Cleveland Plain Dealer). A leading soloist, chamber musician and historical specialist, Alan made his solo debut with Apollo’s Fire at the Tanglewood and Ravinia Music Festivals in 2017. He currently serves as Artistic Leadership Fellow for AF, where he takes on the roles of soloist, concertmaster, and guest director. He is also Founder/Artistic Director of Red Dot Baroque, Singapore’s first professional period ensemble and Ensemble-in-Residence at the Yong Siew Toh Conservatory. In May 2019 he was invited as guest concertmaster and soloist with the Shanghai-based baroque ensemble, Shanghai Camerata.

As a modern violinist, Alan has appeared as a soloist with the St. Petersburg Symphony Orchestra, Singapore Symphony Orchestra, Singapore Chinese Orchestra, Orchestra of the Music Makers, and more. A proponent of contemporary music, Alan is co-founder of SG Inspirations, a project dedicated to performing works by Singaporean composers. In 2015, he recorded the SG Inspirations commemorative CD album with pianist Lin Hengyue as a gift to their nation on Singapore’s 50th anniversary. His piano trio Trio Phoenix combines both worlds of early and contemporary music by performing works by living composers and exploring the wealth of baroque repertoire performed with stylistic awareness on modern instruments. The trio completed their Asia Summer Tour in 2015 to critical acclaim, with repertoire ranging from Jean-Philippe Rameau to Alfred Schnittke, and were guest artists at the Lexington Bach Festival 2017.

Alan’s achievements in all areas of performance have earned him awards such as the Early Music Award 2016 from Peabody Conservatory, the Paul Abisheganaden Grant for Artistic Excellence 2015, the Goh Soon Tioe Centenary Award 2014, the Grace Clagett Ranney Prize in Chamber Music 2014 and 1st prize in the National Piano and Violin Competition 2011, Artist Category. He has also given masterclasses and lectures in violin performance, performance practice and stage presence to college students at Cleveland Institute of Music, Baldwin-Wallace College, Bowling Green State University, Yong Siew Toh Conservatory and Nanyang Academy of Fine Arts.

Alan holds a Doctorate in Historical Performance Practice from Case Western Reserve University, where he studied with Julie Andrijeski. His previous teachers include Risa Browder, Victor Danchenko and Alexander Souptel.

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“The U.S.A.’s hottest baroque band.” –CLASSICAL MUSIC MAGAZINE (UK)