O JERUSALEM!
Crossroads of Three Faiths
Jeannette Sorrell,conductor
Amanda Powell,soprano
Hani Dahshan,vocals & qanun
Sorab Wadia & Jacob Perry,tenors
Jeffrey Strauss,baritone
Daphna Mor,winds
Thursday, March 5, 2020, 7:30PM
AVON LAKE United Church of Christ
WITH PROJECTED IMAGES
Monday, March 9, 2020, 7:30PM
FAIRLAWN Lutheran
FREE Afterglow!
Tuesday, March 10, 2020, 7:30PM
The Temple-Tifereth Israel, BEACHWOOD
Wednesday, March 11, 2020, 7:30PM
CLEVELAND Museum of Art (Gartner Auditorium)
WITH PROJECTED IMAGES

“The place where brothers and strangers are one…”
– Jalal al-Din Rumi, 13th-c. Persian poet
 

Premiered last year to sold-out crowds, Jeannette Sorrell’s evocation of Old Jerusalem blends music and poetry from the Jewish, Christian, Arab, and Armenian quarters of the Old City. Selections from Monteverdi’s great Vespers of 1610 echo with Arabic love songs and rapturous singing of Jewish cantors. The performers, including musicians of Jewish, Muslim, and Christian backgrounds, join in celebration of brotherhood and sisterhood.

“The entire evening was delivered with urgency, polish, and flair.”
– SEEN & HEARD INTERNATIONAL (review of AF’s “Sephardic Journey”)


PRE-CONCERT TALK with musician Daphna Mor, 1 hour before each concert.
afterglow_300

MONDAY NIGHT!
Join the musicians in the lobby for baklava and other Middle Eastern treats.FREE!

“O Jerusalem!” on Tour:

Saturday, March 7, 2020 – New York, NY
Metropolitan Museum of Art (MetLive Arts)
Tickets & Info
 
Thursday, March 12, 2020 – Chicago (Evanston), IL
Northwestern University
Galvin Recital Hall, Bienen School of Music
Tickets & info directly from Apollo’s Fire, call 800.314.2535 or 216.320.0012

Hear the Music

La Komida la Manyana (instrumental)
traditional Sephardic/Turkish
Apollo’s Fire: Sephardic Journey

Watch Video

Meet the Artists

  • AMANDA POWELL
    AMANDA POWELL
    soprano
  • HANI DAHSHAN
    HANI DAHSHAN
    vocals & qanun
  • SORAB WADIA
    SORAB WADIA
    tenor
  • JACOB PERRY
    JACOB PERRY
    tenor
  • JEFFREY STRAUSS
    JEFFREY STRAUSS
    baritone
  • DAPHNA MOR
    DAPHNA MOR
    ney & recorder
View of Damascus Gate with Camel Drivers, Jerusalem, c.1844 (oil on board), Caffi, Ippolito (1809-66) / Galleria Internazionale d’Arte Moderna, Ca’ Pesaro, Venice, Italy / © Mondadori Electa / Bridgeman Images

“The U.S.A.’s hottest baroque band.” –CLASSICAL MUSIC MAGAZINE (UK)

AMANDA POWELL
soprano

has been praised for her “abundant vocal technique and infectious spirit” (ClevelandClassical.com) and enjoys a diverse career in the realms of classical, folk, and jazz. She holds a Bachelor’s degree in vocal performance from Shenandoah Conservatory and a certificate in jazz improvisation from the Jazz in July Institute (University of Massachusetts). Ms. Powell’s solo performances with Apollo’s Fire in recent seasons have included Handel’s Messiah (mezzo soloist), Mozart’s The Magic Flute (Second Lady), Praetorius Christmas Vespers (soprano soloist), and Liza Jane in the 2013 national tour of the acclaimed Come to the River program. Her work as an internationally recognized leader in the field of sacred world music has taken her to concert halls in Italy, Spain, France, Mongolia and China. Her debut solo album, entitled Beyond Boundaries, was released in 2015 and quickly sold out on Amazon. The album explores folk and jazz traditions of cultures around the world.

HANI DAHSHAN
vocals & qanun

grew up in Abu Dhabi, in the United Arab Emirates. He grew up immersed in music and drama, and during high school played major characters as an actor and singer. As a teenager, he performed in theater festivals in the U.S. He earned a Professionals’ Diploma in Filmmaking from the SAE Institute in Amman, Jordan; and then attended the National Music Conservatory in Amman where he studied Arabic music, majoring in Voice and Oud. He performed on the Ney flute and sang folkloric Jordanian songs with the Jordanian Arabic Ensemble at the EuroMed Youth Music Expo Festival in Cyprus.

Hani studied opera singing at the Lebanese National Conservatory, and was privileged to learn directly from his idol, the legendary Sabah Fakhri. He led his own Arabic ensemble, gave oud lessons, and managed his own home studio, producing soundtracks and original works. Hani currently resides in Chicago and performs with the best Arab musicians in the city, the Diwan Al-Han Ensemble, as a Qanunist and vocalist. He has family members in Gaza, Palestine. He believes that Arabic music is a unique combination of Middle Eastern sounds of antiquity, augmented and crowned with the art of language by Arabs. His mission is to preserve and renew this ancient art form by developing and producing more original works.

SORAB WADIA
tenor

With his ethnically ambiguous looks and his nearly three-octave range Sorab Wadia has sung music from the 11th century to pop and rock via oratorio and opera and taken on an array of characters from – in alphabetical order – Algeria, Afghanistan, Brunei, France, Germany, Greece, India, Iran, Iraq, Israel, Italy, Norway, Pakistan, Palestine, Saudi Arabia, Spain, Turkey, and the United States. He relishes resisting the clutches of typecasting.

Most recently he played CL Chawla in the world premier of Mira Nair’s new musical, Monsoon Wedding at Berkeley Repertory Theatre, and reprised his role of Shylock #1/Gratiano in Karin Coonrod’s critically acclaimed production of The Merchant Of Venice at Peak Performances in Montclair, New Jersey.

The 2014-2016 seasons brought two wonderful collaborations with Karin Coonrod, her production of The Merchant of Venice in Venice, Italy, commemorating the 500th anniversary of the Ghetto, and The Tempest at LaMama, an appearance on Madame Secretary, a guest spot on Blacklist: Redemption, and a leading role in the film The Spectacular Jihad of Taz Rahim.

Nothing thrills Sorab more than collaborating with writers and composers to create new roles in fresh-off-the-press plays and musicals. He’s been lucky to have birthed some deliciously colorful characters: The Sultan of Nubai, the world’s richest man, in Niko Tsakalakos and Janet Allard’s Pool Boy, at Barrington Stage; Hussein al-Mansour, the beleaguered middle-management terrorist in Benjamin Scheuer and Zoe Samuels’ Jihad! The Musical on London’s West End; and Raj Dhawan, the grandiose, if sadly over-the-hill, Bollywood hero in Ayub Khan Din and Paul Bogaev’s Bunty Berman Presents… off-Broadway with The New Group.

Some of the new plays he has premiered recently include: The American premiere of the English translation of Évelyne de la Chenelière’s Bashir Lazhar, a haunting story of an Algerian immigrant to Quebec, at Barrington Stage; Stephanie Liss’s Faces of War with BIMA, NY; Fear Up: Stories from Bagdad and Guantanamo at the NY Fringe; Big Shoot by Koffi Kwahulé at The Lark, and Anuvab Pal’s Chaos Theory with Pulse Ensemble Theater off-Broadway.

Sorab performs a one-man play of Khaled Hosseini’s novel, The Kite Runner, which has been touring the U.S. for the past seven seasons, with international hops to Canada and India. The novel was adapted by Wynn Handman, a veritable guru of New York theater, for his company, American Place Theater.

He is relieved to announce that he has popped his Law & Order cherry on SVU and done the requisite guest spots on 30 Rock and Chappelle’s Show. He dreams of being the lead on a sitcom – something he believes he was put on earth to do – so, feel free to make him offers!

Born in Bombay, India, to a pair of highly talented and artistic people, Sorab has never known life without music, drama, and art. His mother, Coomi, a graphic artist and conductor of the globetrotting Paranjoti Chorus, was prepping and conducting Beethoven’s Ninth Symphony up until nine days before he was born. His father, Nariman, was a maverick: jewelry designer, electronics engineer, composer…did pretty much whatever he set his mind to.

Sorab went to the United States to study piano at the Peabody Conservatory of the Johns Hopkins University, got his Masters there. After the briefest of careers as a classical pianist he began to pursue opera and theater at the University of Tennessee, where he got a second Masters. Two degrees not satisfying him, he went on to study the Meisner technique with master-teacher Maggie Flanigan at her studio in NYC; two years of intense study with Ms. Flanigan have profoundly changed his approach to acting. He is now based back home in Bombay, but will jump on a plane for a gig at the drop of a hat. In show business, home is where the laptop is.

Infected with an unquenchable case of wanderlust, he travels whenever he can – 62 countries and counting – and prefers couchsurfing and hostels to hotels when he’s on holiday. Besides English, he speaks – in order of proficiency – Italian, Gujarati, Hindi, German, French, with smatterings of Marathi, Spanish and Urdu. Other hobbies include: photography, painting, hiking, gardening, knitting, and dreaming about having a dog and a small farm.

JACOB PERRY
tenor

Jacob receives praise for his instincts singing in small vocal consorts in addition to his work as a soloist. He is a core tenor of the soloist-ensemble Les Canards Chantants and the chamber choir The Thirteen. Jacob can be heard singing with The Clarion Choir, ACRONYM, Piffaro, and as a featured soloist with Mountainside Baroque and Apollo’s Fire.

Born and raised in Silver Spring, Maryland, Jacob has cultivated a passion for a wide variety of music ranging from medieval folk song to the tight harmonies of vocal jazz. He has experience singing solo and chamber works by contemporary composers through engagements with Third Practice Ensemble, hexaCollective and Great Noise Ensemble.

Jacob’s 2016-2017 season includes numerous choral/solo appearances with Apollo’s Fire, a complete tour of masses and concerts in each of the Papal Basilicas in Rome, Italy with the Choir of the Basilica of the National Shrine of the Immaculate Conception, and an expansive series of engagements with Les Canards Chantants including concerts in Beijing, China for the first festival of early music hosted by Central Conservatory of Beijing. In April 2017, Jacob will give recitals with artists of Tempesta di Mare in Philidelphia to celebrate the 450th anniversary of Claudio Monteverdi’s birth.

Jacob is a cantor and chorister at the Basilica of the National Shrine of the Immaculate Conception. He earned his B.A. in Vocal Performance from University of Maryland, Baltimore County. Jacob teaches private voice lessons in his home in Downtown Sivler Spring, MD. Use the contact form on this website request more information about bookings and teaching.

WEBSITE

JEFFREY STRAUSS
baritone

an “authoritative artist” (CLEVELAND PLAIN DEALER) whose performances have been praised as “captivating” (CHICAGO TRIBUNE) and “serenely beautiful” (NEW YORK TIMES), has appeared with period-instrument ensembles including The Consort of Musicke with Emma Kirkby, the Taverner Consort under Andrew Parrott, Tafelmusik, the Handel & Haydn Society (Boston), the Newberry Consort (Chicago), Seattle Baroque, and Tempesta di Mare (Philadelphia). This season marks his 25th with Apollo’s Fire. He made his professional debut at 17 with the Buffalo Philharmonic and studied voice in Paris with Gérard Souzay. An accomplished stage actor, favorite projects have included the title role in Monteverdi’s L’Orfeo, Jesus and Pilate in the Bach Passions, Méphistophélès in Berlioz’ Damnation of Faust, and Apollo in Handel’s Apollo e Dafne. His 2014 portrayal of Tevye in Fiddler on the Roof was hailed by the BUFFALO NEWS as “masterful.” His longstanding commitment to contemporary music includes numerous appearances with the Contemporary Chamber Players (Contempo) in Chicago and performances of Ned Rorem’s song cycle Aftermath, Lawrence Axelrod’s The Immanence of Angels and Ophélia, Paul Schoenfield’s Camp Songs, a jazz oratorio with the Dave Brubeck Quartet, and premieres of works by Bernstein, Babbitt, Shapey, and Cipullo. CD recordings with Apollo’s Fire include the Monteverdi Vespers of 1610; Handel’s Messiah; Sephardic Journey, which debuted in 2016 at #2 on the BILLBOARD World Music chart; Bach’s St. John Passion; and Apollo’s Fire’s most recent CD release, Christmas on Sugarloaf Mountain.

DAPHNA MOR
ney & recorder

has performed throughout Europe and the United States as both a soloist and ensemble player. Mor’s “astonishing virtuosity” (Chicago Tribune) has been heard in solo recitals in the United States, Croatia, Germany and Switzerland. She has performed as a soloist with the New York Collegium, the New York Early Music Ensemble and Little Orchestra Society, and as a member of the orchestra with the New York Philharmonic, New York City Opera and Orchestra of St. Luke’s. Mor was awarded First Prize in the Settimane Musicali di Lugano Solo Competition and the Boston Conservatory Concerto Competition, and has appeared in a duo with Joyce DiDonato on the singer’s promotional tour for the album In War and Peace. Devoted to new music, Mor has recorded on John Zorn’s Tzadik label, and has performed the world premiere of David Bruce’s Tears, Puffes, Jumps, and Galliard with the Metropolis Ensemble. Also active in the world music community, Mor has performed in festivals and on stages worldwide, including New York’s Summer Stage and Munich’s Gasteig. She can also be heard on Sting’s album If On A Winter’s Night for Deutsche Grammophon. Mor serves as the Music Director of Beineinu, a New York initiative dedicated to the modern cultivation of Jewish culture, and is a performer and teacher of liturgical music of the Jewish diaspora. She leads programs for the Education Department of the Metropolitan Museum of Art.

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