is an “authoritative artist” (Cleveland Plain Dealer) whose performances have been praised as “captivating” (Chicago Tribune) and “serenely beautiful” (New York Times). In addition to his many performances with Apollo’s Fire, he has appeared with period-instrument ensembles including The Consort of Musicke with Emma Kirkby, the Taverner Consort under Andrew Parrott, Tafelmusik, the Handel & Haydn Society (Boston), Seattle Baroque, Tempesta di Mare (Philadelphia), and the Newberry Consort (Chicago).
He made his concert debut at 17 with the Buffalo Philharmonic and studied voice with Elsa Charlston in Chicago, Yvonne Rodd-Marling in London, and Gérard Souzay in Paris. An accomplished stage actor, favorite projects include the title role in Monteverdi’s L’Orfeo, praised as “deeply moving” (Cleveland Plain Dealer), Jesus and Pilate in the J.S. Bach Passions, Méphistophélès in Berlioz’s Damnation of Faust, and Apollo in Handel’s Apollo e Dafne. His 2014 portrayal of Tevye in Fiddler on the Roof was hailed by the Buffalo News as “masterful.”
His longstanding commitment to contemporary music includes numerous appearances with the Contemporary Chamber Players (Contempo) in Chicago and performances of Ned Rorem’s song cycle Aftermath, Lawrence Axelrod’s The Immanence of Angels and Ophélia, Paul Schoenfield’s Camp Songs, a jazz oratorio with the Dave Brubeck Quartet, and premieres of works by Bernstein, Babbitt, Shapey, and Cipullo. CD recordings with Apollo’s Fire include the Monteverdi 1610 Vespers; Handel’s Messiah; Sephardic Journey, which debuted in February 2016 at #2 on the Billboard World Music chart; and Bach’s St. John Passion, released in March 2017.