Never before heard on period instruments in Northeast Ohio, Bach’s magnificent Mass features a large and colorful orchestra, including several unusual instruments. Conductor Jeannette Sorrell and her choir and orchestra are internationally respected for compelling performances of Bach’s sacred works.
“First rate… rendered with consummate skill and artistry.”
– The New York Times (review of Bach’s St. John Passion)
is praised for her “inspirational and expressive singing” (Classical Candor) and “abundant vocal technique” (ClevelandClassical.com). She enjoys a diverse performance career including classical, folk, jazz and global music. She holds a degree in vocal performance with an opera concentration from Shenandoah Conservatory and a certificate in jazz improvisation from the Jazz in July Institute (University of Massachusetts). Ms. Powell appears often as a soloist with Apollo’s Fire, The Cleveland Baroque Orchestra, appearing as soprano soloist in the Praetorius Christmas Vespers, second lady in Mozart’s The Magic Flute, and as lead female vocalist in Jeannette Sorrell’s crossover programs “Come to the River” (national tour) and “Sugarloaf Mountain – An Appalachian Gathering,” which became a Billboard bestselling CD in 2015. Amanda has sung concerts around the world, including at concert halls in Italy, Spain, France, Mongolia and China.
Praised for her “focused golden toned voice,” American mezzo-soprano Amanda Crider is quickly gaining recognition for her extraordinary musicality and assured dramatic presence. Engagements for the 2015-2016 season include her debut with Florentine Opera as Prince Orlovsky in Die Fledermaus, Alma in the world premiere opera Persona with Beth Morrison Projects, her return to Eugene Opera as Olga in Eugene Onegin, a series of concerts with Seraphic Fire, and Handel’s Messiah with Augustana College. In the 2014-2015 season Ms. Crider was heard as a soloist with New World Symphony for de Falla’s El amor brujo, the Louisiana Philharmonic for a Baroque Christmas, Carnegie Mellon Philharmonic for Mozart’s Requiem under the baton of Manfred Honeck, and her role debut as Angelina in La Cenerentola with Opera Roanoke. In the summer of 2015, she sang Laurey in Oklahoma with the Southwest Michigan Symphony Orchestra. Future seasons include a debut with Boston Lyric Opera.
Jacob receives praise for his instincts singing in small vocal consorts in addition to his work as a soloist. He is a core tenor of the soloist-ensemble Les Canards Chantants and the chamber choir The Thirteen. Jacob can be heard singing with The Clarion Choir, ACRONYM, Piffaro, and as a featured soloist with Mountainside Baroque and Apollo’s Fire.
Born and raised in Silver Spring, Maryland, Jacob has cultivated a passion for a wide variety of music ranging from medieval folk song to the tight harmonies of vocal jazz. He has experience singing solo and chamber works by contemporary composers through engagements with Third Practice Ensemble, hexaCollective and Great Noise Ensemble.
Jacob’s 2016-2017 season includes numerous choral/solo appearances with Apollo’s Fire, a complete tour of masses and concerts in each of the Papal Basilicas in Rome, Italy with the Choir of the Basilica of the National Shrine of the Immaculate Conception, and an expansive series of engagements with Les Canards Chantants including concerts in Beijing, China for the first festival of early music hosted by Central Conservatory of Beijing. In April 2017, Jacob will give recitals with artists of Tempesta di Mare in Philidelphia to celebrate the 450th anniversary of Claudio Monteverdi’s birth.
Jacob is a cantor and chorister at the Basilica of the National Shrine of the Immaculate Conception. He earned his B.A. in Vocal Performance from University of Maryland, Baltimore County. Jacob teaches private voice lessons in his home in Downtown Sivler Spring, MD. Use the contact form on this website request more information about bookings and teaching.
enjoys a busy schedule of opera, concerts, and recitals, performing repertoire from the Renaissance and Baroque to the 20th and 21st centuries. His performances have included the world premiere of The Grapes of Wrath at Minnesota Opera, Bernstein’s MASS at London’s Royal Festival Hall, various productions with Boston Early Music Festival, and featured roles with Atlanta Opera, Pittsburgh Opera, Opera Atelier, and Boston Lyric Opera. Jesse has made concert appearances with American Bach Soloists, Boston Baroque, Apollo’s Fire, Oratorio Society of New York, Montréal Baroque Festival, Arion Baroque, Early Music Vancouver, Pacific MusicWorks, and on Lincoln Center’s American Songbook series. His recital highlights include appearances with the Marilyn Horne Foundation and New York Festival of Song, and performances of Die schöne Müllerin and Winterreise with pianist Martin Katz. Jesse has given the world premieres of Ricky Ian Gordon’s Green Sneakers, Lisa Bielawa’s The Lay of the Love and Death, Conrad Cummings’ Positions 1956, and Tom Cipullo’s Excelsior, and works closely with several other renowned composers as a member of the Mirror Visions Ensemble.
In 2018 Jesse returns to American Bach Soloists, Opera Atelier, TENET, New York Festival of Song, Berkshire Choral Festival and Oratorio Society of New York, debuts with Portland Baroque Orchestra, Voices of Music, and The Saint Paul Chamber Orchestra. He also collaborates with the Diderot String Quartet for concerts in New Hampshire, New York and Washington, D.C., and performs recitals in Iowa, Minnesota, Connecticut, and Paris.
Jesse has been featured on nearly twenty commercial recordings, including the 2015 Grammy-winning Charpentier Chamber Operas with Boston Early Music Festival. His recent releases include Bach cantatas with Montréal Baroque, Winterreise with pianist Martin Katz, Rosenmüller cantatas with ACRONYM, and St. John Passion with Apollo’s Fire. He has been recognized in several competitions, and was awarded Third Prize at the 2008 International Robert Schumann Competition in Zwickau, becoming its first American prizewinner in over thirty years. Jesse received a Master of Music degree from the University of Cincinnati College-Conservatory of Music, and received undergraduate degrees in History and Music from the University of Michigan. Jesse is also the founder and artistic director of Five Boroughs Music Festival, which brings chamber music of many genres to every corner of New York City.