The culmination of a triumphant season for Apollo’s Fire! Now a Grammy®-winning orchestra, Apollo’s Fire proudly presents Bach’s celebratory and exhilarating Mass in B Minor – never before heard on period instruments in Northeast Ohio. A Mini-Festival of concurrent events provides opportunities for immersion in the context of Bach’s artistic masterwork.
Conductor Jeannette Sorrell leads the festive forces, including trumpets, timpani, woodwinds, strings, choir, and soloists. Sorrell and Apollo’s Fire are internationally respected for compelling performances of Bach’s sacred works.
“Sorrell led a revelatory performance [of Bach’s St. John Passion]… impassioned singing and playing.””
– Opera News (review of Bach’s St. John Passion)
“First rate… rendered with consummate skill and artistry.”
– The New York Times (review of Bach’s St. John Passion)
Senior (65+), Young Adult (<40), and Student Discounts are available in select price sections.
Check out the Mini-Festival Concurrent Events!
From a film to Family Concerts, to a Baroque Brass Demonstration to special lectures by our renowned (and highly entertaining) visiting scholar, Prof. Thomas Forrest Kelly. MORE INFO
Watch Video (from AF’s production of Bach’s St. John Passion)
has been praised as “the star of the evening” (Seen and Heard International, UK) and “charismatic and theatrically arresting” (San Francisco Chronicle). A highly versatile musician, she is at home in repertoire from Monteverdi to Mozart to Ravel, and has toured internationally as soloist in baroque opera, oratorio, and crossover folk programs. Her tour performances with GRAMMY®-winning baroque orchestra Apollo’s Fire (Jeannette Sorrell) include such venues as the National Concert Hall of Ireland in Dublin, the Irish National Opera House, the Aldeburgh Festival (UK), the Metropolitan Museum in New York, the National Gallery in Washington, and Zellerbach Hall in San Francisco, among others. Her 2019 debut as Messiah soloist with the Calgary Symphony won kudos as “the soloist of the night… singing to perfection.”
As a recording artist, Ms Powell has been featured on several Apollo’s Fire albums including Sugarloaf Mountain, Sephardic Journey, and Christmas on Sugarloaf Mountain, all of which received rave reviews on both sides of the Atlantic and debuted in the top ten on the BILLBOARD Classical Chart. Her 2015 solo debut album, Beyond Boundaries, is an intimate program of folk, jazz, and global music. She is a fluent improvisor and has collaborated with such artists as Bobby McFerrin and Sheila Jordan.
Mezzo-soprano Amanda Crider has been recognized for her “gleaming vocalism” (Boston Globe), “star acting” (Urban Milwaukee), and “superbly clear diction and warmly burnished timbre” (South Florida Classical Review). In demand for performances of classical and contemporary opera alike, Ms. Crider created the role of Alma in Keeril Makan and Jay Scheib’s Persona in its world premiere with the Beth Morrison Projects and later at LA Opera, about which the New York Times raved, “The Mezzo-Soprano, Amanda Crider, made a winsome, vulnerable, and when the story turns dark, wildly volatile Alma, who for long stretches carries the entire opera,” and San Francisco Classical Voice declared, “Crider’s performance was a tour-de-force for its sustained vocal luster, dramatic variation, and sheer amount of singing.”
Most recently, Ms. Crider was seen as the title character in L’incoronazione di Poppea at Florentine Opera, a role that she “wielded with beauty and charisma” (Voix des arts). Boston University News Service declared her “the true star” for her leading role in Boston Lyric Opera’s production of Mark-Anthony Turnage’s Greek, and Opera News lauded her “beautiful work” and “agility” playing the English Teacher in Gregory Spears and Kathryn Walat’s 2019 recording of Paul’s Case, a role which Crider premiered with the Prototype Festival and Urban Arias in 2013.
Ms. Crider’s 2019-20 season includes a debut with the Calgary Symphony, performances with the GRAMMY®-nominated ensemble Seraphic Fire, soloist in Sarah Kirkland Snider’s Penelope with Nu Deco Ensemble, a duo recital with countertenor Reggie Mobley, and two separate appearances with Jacksonville Symphony in Beethoven’s Mass in C and Manuel de Falla’s Three Cornered Hat.
A sought-after soloist and recitalist on the concert stage, Ms. Crider has appeared regularly with Seraphic Fire and Apollo’s Fire, as well as performed with the Bach Festival Society of Florida, the International Contemporary Ensemble, the Cooperstown Chamber Music Festival, the Symphony Orchestras of Eugene, Savannah, Charlotte, Syracuse, Charleston, Amarillo, Southwest Michigan and Jacksonville, and Philharmonic Orchestras of Louisiana, Carnegie Mellon and Greeley. She made her Carnegie Hall debut in the fall of 2007 singing as mezzo soloist in Messiah with the New England Symphonic Ensemble, and returned the following season as soloist in Haydn’s Lord Nelson Mass. She has performed as a soloist in Beethoven’s Symphony No. 9, Bach’s B minor Mass, Monteverdi’s L’Orfeo, Handel’s Messiah, Mozart’s Requiem and Mass in C minor, Britten’s Phaedra, Bach’s St. John Passion, Bernstein’s Jeremiah Symphony and Ravel’s Chansons Madécasses, and has been a featured recitalist on the Trinity Church Concerts at One Series and with Five Boroughs Music Festival. Of her New World Symphony performance of de Falla’s El Amor Brujo in 2014, South Florida Classical Review boasted, “Amanda Crider’s smoky mezzo-soprano assayed the flamenco vocal solos with gutsy abandon,” as well as celebrating “Her rhythmic acuity and incisive declamation.”
Ms. Crider’s first foray into the operatic world as L’Enfant in L’Enfant et les Sortilèges at the Tanglewood Music Center in 2001 was hailed by Opera News as “delightful,” the Boston Globe stating she sang with “ineffable tenderness.” Since then, she has delighted audiences in the roles of Angelina (La Cenerentola), Zerlina (Don Giovanni), Cherubino (Le Nozze di Figaro), Sesto (Handel Giulio Cesare), the title role in Carmen, Nellie Forbush (South Pacific), Diana (Orpheus in the Underworld), Speranza/Pastore #3 (Monteverdi L’Orfeo), Siébel (Faust), Olga (Eugene Onegin), Prince Orlofsky (Die Fledermaus), Laurey (Oklahoma) and Mallika (Lakmé) at companies including the Dallas Opera, Orlando Opera, Florida Grand Opera, Knoxville Opera, Opera Omaha, Nevada Opera, Des Moines Metro Opera and Eugene Opera, Anchorage Opera and Opera Boston, New York City Opera, Castleton Festival and Glimmerglass Opera.
Ms. Crider was a 2012 grant recipient from the Pittsburgh Concert Society, and a 2011 finalist in both the Joy in Singing Debut Artist Competition and the Jensen Foundation Vocal Competition. In addition she was a 2009 finalist in the José Iturbi International Voice Competition, the 2nd Place Winner in the 2008 Shreveport Opera Singer of the Year Competition, 2007 Recipient of the Palm Beach Opera Vocal Competition David and Ingrid Kosowsky Award, Finalist in the 2006 Oratorio Society of New York Vocal Competition and 2005 Center for Contemporary Opera Competition, and a 2003 Recipient of a Richard F. Gold Career Grant from the Shoshana Foundation. Ms. Crider is also the Founder and Artistic Director of Miami’s Art Song concert series, IlluminArts.
Tenor Jacob Perry Jr., based in the Washington Metro Area, receives praise for his “gorgeous and stylish” interpretations of Renaissance and Baroque repertoire (ClevelandClassical.com). He has been featured as a soloist with Apollo’s Fire, Handel Choir of Baltimore, Mountainside Baroque, Tempesta di Mare, The Thirteen, Washington Bach Consort, and The City Choir of Washington. Jacob has been selected as the tenor participant of the Virginia Best Adams Masterclass of the 2020 Carmel Bach Festival.
Deeply immersed in vocal chamber music, Jacob enjoys active membership in Les Canards Chantants, a soloist-ensemble based in Philadelphia, as well as engagements with ensembles such as The Thirteen, the Art of Early Keyboard (ARTEK), New Consort, and Cathedra. Additionally, he can be heard singing with larger choirs such as Yale Choral Artists, The Clarion Choir, Washington Bach Consort, and the Choir of Washington National Cathedral. He has explored the vocal works by contemporary composers through engagements with Third Practice, hexaCollective, and Great Noise Ensemble. In his newly assumed role as Co-Director of Bridge, a genre-defying vocal ensemble based in Washington, he draws on his instincts for theatricality and story-telling, as the group explores the connections between early masterpieces and ground-breaking new works.
Career highlights include multiple tours performing in Roman Basilicas with the choir of the Basilica of the National Shrine, headlining the inaugural festival of Western Early Music at the Beijing Central Conservatory of Music with Les Canards Chantants, his Kennedy Center debut as a featured soloist in Monteverdi’s Vespro della Beata Vergine with The Thirteen, and a recital celebrating the anniversary of Monteverdi’s 450th birthday with theorbists Richard Stone and William Simms.
Since 2013, Jacob has served as a cantor and professional chorister of the Basilica of the National Shrine of the Immaculate Conception. He earned his B.A. in Vocal Performance from University of Maryland, Baltimore County.
enjoys a busy schedule of opera, concerts, and recitals, performing repertoire from the Renaissance and Baroque to the 20th and 21st centuries. His performances have included the world premiere of The Grapes of Wrath at Minnesota Opera, Bernstein’s MASS at London’s Royal Festival Hall, various productions with Boston Early Music Festival, and featured roles with Atlanta Opera, Pittsburgh Opera, Opera Atelier, and Boston Lyric Opera. Jesse has made concert appearances with American Bach Soloists, Boston Baroque, Apollo’s Fire, Oratorio Society of New York, Montréal Baroque Festival, Arion Baroque, Early Music Vancouver, Pacific MusicWorks, and on Lincoln Center’s American Songbook series. His recital highlights include appearances with the Marilyn Horne Foundation and New York Festival of Song, and performances of Die schöne Müllerin and Winterreise with pianist Martin Katz. Jesse has given the world premieres of Ricky Ian Gordon’s Green Sneakers, Lisa Bielawa’s The Lay of the Love and Death, Conrad Cummings’ Positions 1956, and Tom Cipullo’s Excelsior, and works closely with several other renowned composers as a member of the Mirror Visions Ensemble.
In 2018 Jesse returns to American Bach Soloists, Opera Atelier, TENET, New York Festival of Song, Berkshire Choral Festival and Oratorio Society of New York, debuts with Portland Baroque Orchestra, Voices of Music, and The Saint Paul Chamber Orchestra. He also collaborates with the Diderot String Quartet for concerts in New Hampshire, New York and Washington, D.C., and performs recitals in Iowa, Minnesota, Connecticut, and Paris.
Jesse has been featured on nearly twenty commercial recordings, including the 2015 Grammy-winning Charpentier Chamber Operas with Boston Early Music Festival. His recent releases include Bach cantatas with Montréal Baroque, Winterreise with pianist Martin Katz, Rosenmüller cantatas with ACRONYM, and St. John Passion with Apollo’s Fire. He has been recognized in several competitions, and was awarded Third Prize at the 2008 International Robert Schumann Competition in Zwickau, becoming its first American prizewinner in over thirty years. Jesse received a Master of Music degree from the University of Cincinnati College-Conservatory of Music, and received undergraduate degrees in History and Music from the University of Michigan. Jesse is also the founder and artistic director of Five Boroughs Music Festival, which brings chamber music of many genres to every corner of New York City.