MIMÉ YAMAHIRO BRINKMANN

Mimé Yamahiro Brinkmann is one of the most active freelance cellist/gambist playing both as soloist, and as chamber and orchestra musician in the early music field.

After receiving a Performance Diploma on modern cello at Toho Gakuen School of Music Tokyo, Japan, she received a scholarship from The Netherlands government and came to study historical performance, both cello and viola da gamba at The Royal Conservatory in the Hague where she graduated with a soloist diploma.

Mime has been the prize winner of some of the most important early music competitions such as “Musica Antiqua Brugge Soloist Competition” in Belgium and “The international competition for original string instruments” in Brescia, Italy.

Her performance can be heard regularly in different parts of the world – both as a solo recitalist and with some of the world leading orchestras such as Tafelmusik Baroque Orchestra (Canada), Apollo’s Fire-Cleveland Baroque Orchestra (USA), Concerto Copenhagen (Denmark), Drottningholm Slott Opera orchestra and ensemble (Sweden), and the Paul Hillier Ensemble (Denmark).

In between her busy touring life, Mime enjoys teaching at The Royal Academy of Music in Stockholm. She has also given master classes at Early Music Festival Juiz de Fora, Brazil, Tchaikovsky Conservatory Moscow, Russia and enjoys working with the promising next generations.

OLIVIER BRAULT

Violinist Olivier Brault hails from Terrebonne in Québec and brings communicative enthusiasm and scholarship to concerts throughout North America and Europe. In addition to directing the chamber ensemble Sonate 1704, he performs as Music Director with Les Goûts Réunis in Luxembourg, as a member of Four Nations Ensemble in New York, and as soloist with many Montréal-based ensembles including the Ensemble Caprice, Les Boréades de Montréal, Quatuor Franz Joseph, and Les Idées heureuses. He holds a Doctorate from the Université de Montréal, where he specialized in 18th-century violin repertoire. He has led workshops and masterclasses at the Conservatoire de Musique de Montréal, CWRU, Oberlin Conservatory, Penn State University, University of Michigan, the Conservatoire Royal de Musique de Bruxelles and The Conservatoire National Supérieur de Musique et de Danse de Paris. He has participated in over 65 recordings, many award-winning. In 2011 he received the medal of the Assemblée Nationale de Québec for cultural contributions to his nation. Mr. Brault joined the early music faculty of McGill University in Montréal teaching baroque violin in 2017.

ALAN CHOO

Violinist Alan Choo, whose performances have been described by The Straits Times Singapore as “an intoxicating brew of poetry and dare-devilry,” performs on the global stage as a leading soloist, chamber musician and historical specialist. He made his solo debut with Apollo’s Fire at the Tanglewood and Ravinia Music Festivals in 2017, and currently serves as Concertmaster and Assistant Artistic Director for the ensemble. He is also Founder and Artistic Director of Red Dot Baroque, Singapore’s first professional period ensemble and Ensemble-in-Residence at the Yong Siew Toh Conservatory of Music. In May 2019, he was invited as guest concertmaster and soloist with the Shanghai-based baroque ensemble, Shanghai Camerata. He has also appeared as a soloist with the St. Petersburg Symphony Orchestra, Singapore Symphony Orchestra, Singapore Chinese Orchestra, Orchestra of the Music Makers and more.
 
Alan is the recipient of the Early Music Award 2016 from Peabody Conservatory, the Paul Abisheganaden Grant for Artistic Excellence 2015, the Goh Soon Tioe Centenary Award 2014, the Grace Clagett Ranney Prize in Chamber Music 2014 and 1st prize in the National Piano and Violin Competition 2011, Artist Category. He has also given masterclasses and lectures in violin performance, performance practice and stage presence to college students at the Cleveland Institute of Music, Michigan State University, Baldwin-Wallace College, Bowling Green State University, Yong Siew Toh Conservatory and Nanyang Academy of Fine Arts.
 
Alan holds a Doctorate in Historical Performance from Case Western Reserve University, as well as degrees from the Peabody Conservatory and the Yong Siew Toh Conservatory. His teachers include Julie Andrijeski, Risa Browder, Victor Danchenko and Alexander Souptel. He is currently recording an album of the complete Rosary Sonatas by Heinrich Biber with Apollo’s Fire.

 
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FRANCISCO FULLANA

Artist-in-Residence

“A continuous display of nuanced genius playing” – El Mundo

“A rising young virtuoso of outstanding potential” – The Violin Channel

Spanish-born violinist Francisco Fullana is one of the first international solo violinists to fully embrace and absorb the baroque language of historical performance. Hailed as a “rising star” (BBC Music Magazine), he is the winner of four international violin competitions as well as an Avery Fisher Career Grant. His Carnegie Hall recital debut was noted for its “joy and playfulness in collaboration … it was perfection” (New York Concert Review).

As Artist-in-Residence with Apollo’s Fire, he performs with the GRAMMY-winning period band in 17 concerts during 2021-22, including at Carnegie Hall in March and at Cleveland’s Severance Hall in May. He also shares his love of music and his immigrant story with youth at several Spanish-speaking public schools in Cleveland and Chicago, in collaboration with AF musicians.

Fullana’s recent solo debut album, titled “Bach’s Long Shadow,” was chosen by BBC Music Magazine as “Instrumental Album of the Month” in July 2021.

Born into a family of educators, Francisco was raised in Mallorca and Madrid and was recognized in Spain as a prodigy. He moved to the U.S. at the age of 16 (as an unaccompanied minor) to study at The Juilliard School. His primary teachers and mentors for the next 8 years were Donald Weilerstein, Masao Kawasaki, and Midori.

His lifelong fascination with baroque music has influenced both of his prior recordings: his 2018 debut album, Through the Lens of Time (Orchid Classics) and his 2021 solo album, Bach’s Long Shadow, which juxtaposes Bach Partitas on gut strings and baroque setup with virtuoso solo violin works from the next three centuries.

As a concerto soloist, his engagements have included the Bayerische Philharmonie, the Münchner Rundfunkorchester, the City of Birmingham Symphony, Vancouver Symphony, and the St Paul Chamber Orchestra, among others.

As a chamber musician, Francisco is a Bowers Program Artist at the Chamber Music Society of Lincoln Center. His many performances have included the Marlboro Festival and the Perlman Music Program, as well as collaborations with Mitsuko Uchida and members of the Guarneri, Juilliard, Pacifica, Takács, and Cleveland quartets.

Using gut strings and a baroque bow, Francisco performs on the 1735 “Mary Portman” ex-Kreisler Guarneri del Gesù violin, on loan from Clement and Karen Arrison through the Stradivari Society of Chicago.

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SUSANNA PERRY GILMORE

Violinist Susanna Perry Gilmore enjoys a multifaceted career as solo artist, chamber musician, and orchestral concertmaster. Performing on both modern and period instruments and versatile in diverse styles from classical to fiddling, she is hailed as a player who is both “thrilling and sensitive” by the Memphis Commercial Appeal, “luminous and hypnotic” by the Omaha World-Herald, and “authentic with exquisite good taste” and “rich in tone, bringing musical depth and a human touch” by the Cleveland Plain Dealer.

Ms. Gilmore frequently appears as a soloist with the Omaha Symphony on the Master Works, Joslyn, and Symphony Pops series. Recent performances include the Scottish Fantasy by Max Bruch and Celtic Journey: Magic of the Emerald Isle. In recent seasons Omaha audiences have heard Ms. Gilmore perform the Tzigane by Ravel, Berg’s Violin Concerto, Prokofiev’s Violin Concerto No. 1, Vivaldi’s Four Seasons, Mozart Violin Concerto No. 5, and the Korngold Violin Concerto as well as major concertmaster solos such as Rimsky Korsakov Scheherazade and Strauss Ein Heldenleben.

After beginning her career as a chamber player, at the age of twenty-six Ms. Gilmore became concertmaster of the Memphis Symphony Orchestra. She joined the Omaha Symphony as concertmaster in 2011. Since 2014 she has been a frequent soloist and co-concertmaster on baroque violin and fiddle with the acclaimed period instrument ensemble and Grammy Award winner Apollo’s Fire (Cleveland), with whom she tours nationally and internationally and appears on the CD Sugarloaf Mountain: An Appalachian Gathering (Billboard Top 10 classical bestseller), the CD Sephardic Journey: Wanderings of the Spanish Jews (Billboard Top 10 classical bestseller), and Christmas on Sugarloaf Mountain.

Ms. Gilmore holds a Bachelor’s degree from Oxford University (UK), where she studied musicology and performed both early music and symphonic repertoire while studying privately with Yfrah Neaman. She spent a post-graduate year in the Advanced Solo Studies Program at the Guildhall School of Music and Drama in London. Upon returning to the United States, she earned a Master’s in Violin Performance from the New England Conservatory, where she studied with James Buswell. Prior to her studies in England, Ms. Gilmore studied with Christian Teal at the Blair School of Music in the pre-college program and as a child began her violin studies with Mimi Zweig at Indiana University. Ms. Gilmore learned to play Celtic fiddle in her youth through sitting in on Irish sessions during her years living in Nashville and England.

When not working as a classical and baroque violinist and fiddler, Ms. Gilmore spends time with her two daughters, Katy and Zoe, and her husband, Viseslav Drincic. She performs on a 1776 Joseph Odoardi violin.

RENÉ SCHIFFER

Cellist René Schiffer is praised for his “interpretive imagination and patrician command of the cello” (The Cleveland Plain Dealer). He is a native of Holland where he was a protégé of Anner Bijlsma. He later studied baroque cello with Jaap ter Linden and viola da gamba with Catharina Meints. As a member of Sigiswald Kuijken’s La Petite Bande for sixteen years, he toured four continents and appeared many times on European television. He has also performed with the Amsterdam Baroque Orchestra, Les Musiciens du Louvre, and in over forty projects with Tafelmusik of Toronto. As a concerto soloist, he has appeared throughout North America and Europe, including such venues as the Royal Theatre of Madrid, and can be heard on acclaimed CD recordings of the Vivaldi Concerto for Two Cellos and the Tango Concerto for Two Gambas (his own composition) on British label AVIE. As a chamber musician, he has performed at the renowned baroque festivals of Utrecht and Bruges, as well as the Flanders Festival and Versailles. He can be heard on more than forty CD recordings, on the Harmonia Mundi, Philips, Virgin Classics, Erato, Sony, and AVIE labels. He serves on the faculty of the Cleveland Institute of Music as Teacher of Baroque Cello, and has given masterclasses and coachings for the New World Symphony (Miami), the University of Michigan, Oberlin Conservatory, and Cincinnati College-Conservatory.

EMI TANABE

Violinist Emi Tanabe enjoys a multi-faceted career as a baroque violinist and a solo crossover artist. In addition to being a core member of Apollo’s Fire, she performs with the Haymarket Opera Company and Third Coast Baroque in Chicago. With Apollo’s Fire she has performed on tour across the U.S. and Europe. Her facility with world music styles and improvisation has led to many solo violin performances with Tango, Flamenco, Celtic, and Jazz ensembles across the country. She has appeared with such groups as the renowned Surabhi Ensemble, the GRAMMY®-nominated children’s music band Wendy&DB, and the theater/dinner production “Teatro ZinZanni.” Emi is a native of Japan, and holds degrees in violin performance from the University of North Texas and Roosevelt University.

“The U.S.A.’s hottest baroque band.” –CLASSICAL MUSIC MAGAZINE (UK)