ALAN CHOO

Violinist Alan Choo, whose performances have been described by The Straits Times Singapore as “an intoxicating brew of poetry and dare-devilry,” appears on the global stage as a leading soloist, chamber musician and historical specialist. He made his solo debut with Apollo’s Fire at the Tanglewood and Ravinia Music Festivals in 2017, and currently serves as Concertmaster and Assistant Artistic Director for the ensemble. He is also Founder and Artistic Director of Red Dot Baroque, Singapore’s first professional period ensemble and Ensemble-in-Residence at the Yong Siew Toh Conservatory of Music. In May 2019, he was invited as guest concertmaster and soloist with the Shanghai-based baroque ensemble, Shanghai Camerata. He has also appeared as a soloist with the FVG Orchestra (Italy), St. Petersburg Symphony Orchestra, Singapore Symphony Orchestra, Singapore Chinese Orchestra, Orchestra of the Music Makers and more.

Alan is the recipient of the Early Music Award 2016 from Peabody Conservatory, the Paul Abisheganaden Grant for Artistic Excellence 2015, the Goh Soon Tioe Centenary Award 2014, the Grace Clagett Ranney Prize in Chamber Music 2014 and 1st prize in the National Piano and Violin Competition 2011, Artist Category. He has also given masterclasses and lectures in violin performance, performance practice and stage presence to college students at the Cleveland Institute of Music, Michigan State University, Baldwin-Wallace College, Bowling Green State University, Yong Siew Toh Conservatory and Nanyang Academy of Fine Arts.

Alan holds a Doctorate in Historical Performance from Case Western Reserve University, as well as degrees from the Peabody Conservatory and the Yong Siew Toh Conservatory. His teachers include Julie Andrijeski, Risa Browder, Victor Danchenko and Alexander Souptel. His solo debut album with Apollo’s Fire, the complete Mystery Sonatas of Heinrich Biber, was released on AVIE Records in 2024 and debuted at #2 on the Billboard Classical chart.

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EDWARD VOGEL

With a voice described as “velvet-toned” (BBC Music Magazine), and praised for his “appealing, midweight baritone” (The New York Times), “forthright agility and bold declamation” (Musical America), baritone EDWARD VOGEL is recognized as a sensitive, versatile performer. Recent highlights include solo appearances with the New York Philharmonic, Apollo’s Fire, the Tucson Symphony, and ensemble work with Theatre of Voices, the Bach Collegium Japan, and the Yale Schola Cantorum, with whom he has participated as a soloist in recordings on the Hyperion label. In 2024, he received a GRAMMY® nomination for his work as a soloist on Apollo’s Fire’s recording of Handel’s Israel in Egypt. An avid recitalist, Mr. Vogel’s specialties include British art song of the twentieth century, music from Medieval and Renaissance Iberia, and works by Gustav Mahler; his intimate interpretations of art song have been heard onstage at celebrated venues including the Tanglewood Festival and Wigmore Hall.

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ANDRÉA WALKER

A native of Texas, soprano ANDRÉA WALKER is pursuing her Doctorate in historical performance practice at Case Western Reserve University. She recently graduated with her Master’s in vocal performance from the Yale Institute of Sacred Music where she studied early music, oratorio, and art song. Before her time at Yale, Ms. Walker received her Bachelor’s from the University of Houston. Her recent performance highlights include her Lincoln Center debut in Telemann’s Der Tag des Gerichts with Masaaki Suzuki and Juilliard415, touring throughout Germany as a soloist in Haydn’s Schöpfungsmesse with Yale Schola Cantorum, performing the role of Venus is Daniel Purcell’s The Judgment of Paris with Amherst Early Music Festival, and being a guest artist at the Norfolk Chamber Choir Festival under the direction of Simon Carrington. As a new resident of Cleveland, she is thrilled to make both her Apollo’s Fire and CityMusic Cleveland solo debuts this 2023 season.

“The U.S.A.’s hottest baroque band.” –CLASSICAL MUSIC MAGAZINE (UK)