Mozart’s REQUIEM: A Tapestry
Jeannette Sorrell, conductor & program design
November 7November 8, 2025

Mozart’s Requiem, interwoven with selections from:

GETER: An African American Requiem (2019)
GOULD: 1791: Requiem for the Ancestors (World Premiere)
MONTGOMERY: Five Freedom Songs (2020)

photo of Jeannette Sorrell conducting with bass-baritone Kevin Deas

1791: Against the backdrop of worldwide unrest and revolution, Mozart composed his masterful Requiem – as he lay dying. Struggles for democracy were unfolding around him, in France, Haiti, and the fledgling United States. As the 35-year-old Mozart raced to finish his Requiem, death overtook him. He laid bare his soul in a work that remained incomplete.

Apollo’s Fire and Artistic Director Jeannette Sorrell premiere a bold new program reflecting the vibrant tapestry of today’s society. In this journey through mourning to hope and joy, Sorrell interweaves the movements of Mozart’s unfinished Requiem with selections from related spiritual works by three living Black composers who are important new voices in our cultural landscape. Sorrell leads 70 of the nation’s finest period-instrument specialists and early music singers in these concerts.

“An ensemble at the peak of their powers, making vital statements about the world…. Jeannette Sorrell is a masterful musical storyteller.” – Seen & Heard International

Friday, November 7, 2025, 7:30PM
St. Bernard Catholic Church, AKRON
Saturday, November 8, 2025, 7:30PM
SEVERANCE MUSIC CENTER, CLEVELAND

The commission for Eric Gould’s 1791: Requiem for the Ancestors was generously underwritten by Sonjia Smith

Featured Artists

Sonya Headlam, soprano
Guadalupe Paz, mezzo-soprano
Jacob Perry, tenor
Kevin Deas, bass-baritone
with Elora Kares, soprano
and Apollo’s Singers

Meet the Composers

Meet the Artists


Previous Concert: Purcell’s Dido and Aeneas Next Concert: Praetorius Christmas Vespers

“The U.S.A.’s hottest baroque band.” –CLASSICAL MUSIC MAGAZINE (UK)

Share to...