Garnering praise for his “most impressive… bright, clear tone and lively personality” (New York Times), tenor Brian Giebler has been heard singing diverse repertoire around the world. A “faultless high tenor” (Seattle Times) with “great elegance of tone and phrasing” (Baltimore Sun), Mr. Giebler has been a soloist with the Virginia Symphony Orchestra, American Classical Orchestra, Trinity Wall Street Baroque Orchestra, New York City Chamber Orchestra, Pacific Northwest Ballet Orchestra, and Saginaw Bay Orchestra, and will make his debut with the Cleveland Orchestra at Severance Hall this season. He made his Carnegie Hall solo debut in Haydn’s Missa Sancti Nicolai with the New York City Chamber Orchestra, and his Lincoln Center solo debut in Handel’s Messiah with Trinity Wall Street. Recent solo engagements include the Evangelist in Bach’s St. Matthew Passion with Trinity Wall Street, Bach’s B Minor Mass with Trinity Wall Street (“voix plus que remarquables”, Le Devoir), Monteverdi’s Vespers of 1610 with Green Mountain Project (“splendid… agile figuration”, Boston Music Intelligencer), Bach’s Magnificat with Seraphic Fire (“gleaming tones”, South Florida Classical Review), and the Carmel Bach Festival, where he was a 2015 Virginia Best Adams Fellow. Last season, Mr. Giebler was a finalist in the Tafelmusik International Vocal Competition and received Honorable Mention at the Biennial Bach Vocal Competition sponsored by the American Bach Society and the Bach Choir of Bethlehem. In 2015, he was selected as the Victoria Bach Festivals Young Artist and will attend the Oregon Bach Festival this summer (2017) as the Tenor Vocal Fellow.

Brian performs with chamber ensembles throughout the country, including GRAMMY® Award winning Conspirare of Austin, GRAMMY® nominated Seraphic Fire of Miami, GRAMMY® nominated Clarion Music Society in NYC, and he is a member of the GRAMMY® nominated Choir of Trinity Wall Street in Manhattan, where he currently resides. He can be heard frequently with the Handel and Haydn Society in Boston, Ekmeles, TENET, True Concord Artists, Blue Heron, Green Mountain Project, Yale Choral Artists, Spire Chamber Ensemble, Musica Sacra, and Sounding Light. While living in Seattle, Brian was a member of the Seattle Opera Chorus where he performed Puccini’s La Bohème and Wagner’s Götterdämmerung.

With “one of the purest tenor voices” (DramaIntheHood) “that would make anyone melt” (BroadwayWorld), Brian recently received much critical acclaim as Marius in a regional production of Les Misérables and was recently nominated for a 2014 Gregory Award (Outstanding Supporting Actor in a Musical) for his performance. An active crossover artist, Brian was also praised for his portrayal of Fabrizio in Adam Guettel’s The Light in the Piazza (Best Musical nomination, 2011 Wilde Awards), being hailed as a “powerful tenor for such a young man” (Milan News). He has played such iconic roles as Dickon in The Secret Garden, Cain/Japheth in Children of Eden, Nicely Nicely Johnson in Guys and Dolls, and Jack in Into the Woods (Best Supporting Actor, 2005 Anvil Awards). Brian covered the roles of Tony in West Side Story (Aspen), Anthony in Sweeney Todd (Aspen), and Lt. Cable in South Pacific with the Rochester Philharmonic Orchestra.

In 2010, Brian was seen on Philadelphia’s Fox 29 News as the 2010 Delco Idol musical theater competition winner at the Media Theatre in Pennsylvania. He was also a featured artist with the Skaneateles Music Festival in “Broadway comes to Brook Farm” under guest musical director Paul Sportelli. In Seattle, he had the pleasure of singing with the Pacific Northwest Ballet Orchestra in their 2012 Holiday production of the Seattle-favorite, The Nutty Nutcracker, inserting classical music and popular Christmas tunes over top of the sweeping Tchaikovsky score.

At a graduate student at the University of Michigan, Brian performed as Ferrando in Cosi fan Tutte and as Bardolfo in Falstaff. He has also sung the roles of Basilio in Mozart’s Le Nozze Di Figaro, Pedrillo in Die Entführung aus dem Serail, and Dr. Blind in Die Fledermaus. Brian made his international debut in Italy with the International Opera Theater of Philadelphia, premiering the operatic adaptation of Shakespeare’s La Tempesta as Ariele.

A little known fact about Brian is his expertise on trumpet. At Eastman, Brian studied in the trumpet department as a primary student and performed with the internationally acclaimed Eastman Wind Ensemble. He also performed with the Eastman Lab Jazz Band, University of Rochester Symphony Orchestra and Wind Ensemble, University of Maryland Concert Band, Philadelphia Youth Orchestra at Verizon Hall, and the University of the Arts Regional Grammy Jazz Band. In the pit, Brian played for Les Miserables (Media Theatre), Cabaret, and Assassins (Eastman).

Brian is a graduate of the University of Michigan, where he earned his masters degree in Vocal Performance. He is also an alumnus of the Royal Academy of Music in London, England, and holds a bachelors degree in Vocal Performance from the Eastman School of Music. He spent two summers (2011, 2012) as a Young Artist with the Aspen Opera Theater Center.


“The U.S.A.’s hottest baroque band.” –CLASSICAL MUSIC MAGAZINE (UK)