Bio Category: 2526 o jerusalem chicago

SOPHIA BURGOS

Puerto Rican-American soprano Sophia Burgos has in recent seasons established herself internationally as a singer of outstanding intelligence, musicality and stage presence.

Highlights of the season 2023/24 include a CD recording with Ensemble Zwerm in the Netherlands, concerts with Apollo’s Fire in the US, as well as several Lied recitals with pianist Daniel Gerzenberg in the Netherlands and Switzerland.

Most recently, she returned to Opera Nantes-Angers as Vercors in the world premiere of Philippe Leroux’s L’ Annonce faite à Marie, followed by her house debut at De Vlaamse Opera as Mrs Naidoo in Philip Glass‘ Satyagraha. She also made her debut at the Ruhrtriennale Festival in a staged production of Grisey’s Quatre Chants pour franchir le seul, with Klangforum Wien conducted by Peter Rundel. In concert she sang George Crumb’s Ancient Voices of Children with the Los Angeles Philharmonic and Zubin Mehta, Czernowin’s Atara with the Symphonieorchester des Bayerischen Rundfunks and Matthias Pintscher, Grisey’s Quatre Chants pour franchir le seul with Ensemble Intercontemporain as well as recitals in Japan, Liedfestival Zeist and at Heidelberger Frühling.

A champion of new works, Ms. Burgos has premiered J.M. Staud‘s Once Anything Might Have Happened with Ensemble Intercontemporain and Matthias Pintscher in Paris, Gandolfi‘s Cantata: Where can I go from your spirit? with the Boston Symphony Orchestra, Andre Previn’s Two Lyric Songs: The Waking as part of the 75th year anniversary of the Tanglewood Music Center, the title role of Maria Republica by François Paris with Nantes-Angers Opera and Lily Briscoe in To The Lighthouse by Zesses Seglias at the Bregenzer Festspiele.

Recent concert engagements include excerpts from Maria Schneider’s Winter Morning Walks with the Cincinnati Symphony Orchestra, Mendelssohn’s Midsummer Night’s Dream with the Tonhalle Orchester Zurich and Paavo Jaervi, Britten’s Les Illuminations at the Bregenzer Festspiele, Claude Vivier’s Lonely Child with Teodor Currentzis and the Mahler Chamber Orchestra in Munich and Hamburg, the world premiere of Beat Furrer’s Schnee-Szenen with the Symphonieorchester des Bayerischen Rundfunks under Peter Rundel, Bernstein’s Songfest with the BBC Symphony Orchestra and the MDR Sinfonieorchester, George Crumb’s Ancient Voices of Children with Teodor Currentzis and MusicAeterna in Moscow and Perm and with the SWR Sinfonieorchester, Gérard Grisey’s Quatre Chants Pour Franchir Le Seuil with Ensemble Intercontemporain in Paris and with Klangforum Wien, Saint-Saëns’ Le Martyre de Saint Sébastien with the Tonhalle Orchester Zurich under Matthias Pintscher, the title role of Jennie in the New York premiere of Oliver Knussen’s Higglety Pigglety Pop!, Akrostichon Wortspiel by Unsuk Chin and Steve Reich’s Tehillim with Brad Lubman and Musica Nova Ensemble, Dutilleux’ Correspondances with the American Symphony Orchestra at Carnegie Hall.

Available on CD/DVD are works by Berio and de Falla with the Sinfonieorchester Basel and Ivor Bolton (Sony Classical), Emily Dickinson songs by Robin de Raaf with Het Gelders Orkest and Antonello Manacorda (Challenge Records), Teresa/Benvenuto Cellini (Chateau de Versailles Spectacles), Fox/Cunning Little Vixen (LSO Live/Grammy Nomination 2022, Editor’s Choice 10/20, Critics Choice 2020, Gramophone Magazine).

Sophia Burgos holds a master’s degree from the Bard College Conservatory’s Graduate Vocal Arts Program. Awards include the Staetshuys Fonds Prize and Van Riemsdijk Prize in the 54th International Vocal Competition s’Hertogenbosch (Liedduo) in 2021, 2nd Prize and Special Prize at the 2018 ‘Schubert und die Musik der Moderne’ competition in Graz and the German Lied Prize at the 2017 Nadia and Lili Boulanger International Voice-Piano Competition in Paris.

In addition to her career as a singer, Ms. Burgos is passionate about education and outreach through art, holding a degree and certification in Music Education. She recently started her own YouTube channel to create a space for audience members to connect directly with classical music and its performers.

Originally from Chicago, IL, her earliest musical influences were Spanish folk song and dance, as she and her family are strongly tied to their Puerto Rican heritage.

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ARYSSA LEIGH BURRS

Mezzo-soprano ARYSSA LEIGH BURRS is hailed for her “rich sound and thoughtful musical ideas” while “transcending vocal styles and genres with flexibility and ease” (DC Theater Arts). Recent and upcoming soloist engagements include, Nerone (Poppea, InSeries Opera), Bach’s St. John Passion (Clarion Music Society, The Thirteen), Messiah (The Thirteen), Minerva (Return of Ulysses, InSeries Opera), Wassail! (Apollo’s Fire), BWV 7 (Bach Choir of Bethlehem), and in May 2025, Copland’s In The Beginning (Cathedral Choral Society). Aryssa performs with ensembles such as The Crossing, The Thirteen, Clarion Music Society, and Ensemble Altera. Aryssa’s comfort in various styles is best heard as a founding member of Lyyra, the internationally touring, 6-voiced women’s ensemble from the Voces8 Foundation, which was recently signed to Warner Classics. Lyyra is making strides in the vocal world by promoting women’s voices while performing a wide range of genres for diverse audiences.

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RONNIE MALLEY

A Chicago native of Palestinian descent, Ronnie Malley is a multi-instrumentalist that has been performing for audiences since his youth. Ronnie began guitar lessons at age nine, later moving on to piano, Middle Eastern percussion, and being self-taught on his principle instrument, the Oud (Mid- Eastern lute). As a member of the family band with his father and brother on percussion, Ronnie’s stage experience began by performing at weddings, concerts, festivals and local Middle Eastern clubs accompanying renowned artists such as Kazem Al Saher, Majdi Husseini, Wael Jassar, and Tony Hanna.

After years of playing Middle Eastern and American rock music, Ronnie expanded his musical palette to explore different traditions from around the world. He has studied and collaborated with musicians from – Senegal, Sudan, North Africa, India, Kashmir, Macedonia, Iran, Greece, Turkey, as well as with Afro-Peruvian folk artists, Rodolfo Munoz and Miguel Ballermos. Through these experiences, he has gained a vast repertoire of folk, classical, and spiritual songs from various cultures.

His more recent credits include principal musician and actor in the Lookingglass, Berkeley, and Arena Stage Theatre productions of “Arabian Nights”, assistant music arranger and performer in the Goodman Theatre production of “Mirror of the Invisible World”, both written and directed by Mary Zimmerman, French FTS Production documentary,“Modou The Hang Player – One World Music”, and MPEF Productions documentary, “At The Gate”.

Ronnie currently teaches at the Old Town School of Folk Music, conducts Arabic music workshops for Chicago Public Schools and the University of Chicago’s Startalk camp, composes and records for various film projects, as well as performing and touring with music groups Lamajamal, Mucca Pazza, Duzan Ensemble and the U of C Middle Eastern Music Ensemble.

DAPHNA MOR

Daphna Mor has performed throughout Europe and the United States as both a soloist and ensemble player. Mor’s “astonishing virtuosity” (Chicago Tribune) has been heard in solo recitals in the United States, Croatia, Germany and Switzerland. She has performed as a soloist with the New York Collegium, the New York Early Music Ensemble and Little Orchestra Society, and as a member of the orchestra with the New York Philharmonic, New York City Opera and Orchestra of St. Luke’s. Mor was awarded First Prize in the Settimane Musicali di Lugano Solo Competition and the Boston Conservatory Concerto Competition, and has appeared in a duo with Joyce DiDonato on the singer’s promotional tour for the album In War and Peace. Devoted to new music, Mor has recorded on John Zorn’s Tzadik label, and has performed the world premiere of David Bruce’s Tears, Puffes, Jumps, and Galliard with the Metropolis Ensemble. Also active in the world music community, Mor has performed in festivals and on stages worldwide, including New York’s Summer Stage and Munich’s Gasteig. She can also be heard on Sting’s album If On A Winter’s Night for Deutsche Grammophon. Mor serves as the Music Director of Beineinu, a New York initiative dedicated to the modern cultivation of Jewish culture, and is a performer and teacher of liturgical music of the Jewish diaspora. She leads programs for the Education Department of the Metropolitan Museum of Art.

JACOB PERRY

JACOB PERRY, tenor, is lauded for his stylish interpretations of early music. As a soloist, he lends his graceful sense of phrasing and luminous tone to engagements with the American Classical Orchestra, Apollo’s Fire, Bach Collegium San Diego, Philharmonia Baroque, Portland Baroque, Tafelmusik, Tempesta di Mare, and Washington Bach Consort. In 2024, he was nominated for a GRAMMY® Award as a soloist on Apollo’s Fire’s recording of Handel’s Israel in Egypt. Deeply immersed in vocal chamber music, Jacob performs with ensembles including Les Canards Chantants, Blue Heron, and TENET. Career highlights include his recent solo debut with the New York Philharmonic singing Handel’s Israel in Egypt, headlining the inaugural festival of Western Early Music at the Beijing Central Conservatory of Music with Les Canards Chantants, and English Orpheus—a tour-de-force exploration of love songs and poems from the Elizabethan, Restoration, and early 18th-century periods he performed with Tempesta di Mare.

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JEFFREY STRAUSS

Praised as “an authoritative artist” (Cleveland Plain Dealer) and “an elegant and energetic singer” (Seen and Heard International), baritone Jeffrey Strauss has performed with leading period music ensembles including Tafelmusik, the Consort of Musicke with Emma Kirkby and Anthony Rooley, the Taverner Consort under Andrew Parrott, The Handel & Haydn Society, Seattle Baroque, The Newberry Consort, and Tempesta di Mare, among many others. Trained at an early age in Jewish liturgical music by Cantor Daniel Gildar, he later studied voice and art song in London with Yvonne Rodd-Marling and Martin Penny, and in Paris with Gérard Souzay. He has been a regular soloist with Apollo’s Fire since 1995, and is especially known for his appearances in Handel’s Messiah, the Bach St. John and St. Matthew Passions, Sephardic Journey, O Jerusalem!, and music of Monteverdi including the 1610 Vespers, Il Combattimento di Tancredi e Clorinda, and the title role in L’Orfeo. A longstanding proponent of contemporary music, he has collaborated with Ralph Shapey and the Contemporary Chamber Players of the University of Chicago (Contempo), the Chicago Chamber Musicians, the Pacifica Quartet, and Eighth Blackbird, and has premiered works by Babbitt, Bernstein, Axelrod, and Shapey. He has appeared twice with the Omaha Symphony, and performed the role of Mephistopheles in Berlioz’s Damnation of Faust. An accomplished stage actor, his 2014 performance as Tevye in Fiddler on the Roof at the Lancaster Opera House—reprising a role he first played at age 17—was hailed as “masterful” (Buffalo News).

EDWARD VOGEL

With a voice described as “velvet-toned” (BBC Music Magazine), and praised for his “appealing, midweight baritone” (The New York Times), “forthright agility and bold declamation” (Musical America), baritone EDWARD VOGEL is recognized as a sensitive, versatile performer. Recent highlights include solo appearances with the New York Philharmonic, Apollo’s Fire, the Tucson Symphony, and ensemble work with Theatre of Voices, the Bach Collegium Japan, and the Yale Schola Cantorum, with whom he has participated as a soloist in recordings on the Hyperion label. In 2024, he received a GRAMMY® nomination for his work as a soloist on Apollo’s Fire’s recording of Handel’s Israel in Egypt. An avid recitalist, Mr. Vogel’s specialties include British art song of the twentieth century, music from Medieval and Renaissance Iberia, and works by Gustav Mahler; his intimate interpretations of art song have been heard onstage at celebrated venues including the Tanglewood Festival and Wigmore Hall.

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“The U.S.A.’s hottest baroque band.” –CLASSICAL MUSIC MAGAZINE (UK)