CODY BOWERS

Described as “a voice of rare beauty” (Seen and Heard International), award-winning countertenor Cody Bowers is a Sullivan Foundation Award winner, a National Semi-finalist in the Metropolitan Opera Laffont Competition, and a George London Foundation Finalist Award Recipient. In the 23-24 performance season, Mr. Bowers will make his Lincoln Center debut with the New York Philharmonic Orchestra in Handel’s Israel in Egypt, in addition to debut performances with The Atlanta Symphony Orchestra in a World Premier of Jonathan Leshnoff’s The Sacrifice of Isaac. In previous seasons, Mr. Bowers has performed in The Metropolitan Opera house, San Francisco Opera War Memorial Opera House, the Stern auditorium at Carnegie Hall, San Diego Opera, Minnesota Opera, Utah Opera, The Atlanta Opera, Boston Early Music Festival, Opera Neo, and Tanglewood Music Center.

On the Operatic stage, Mr. Bowers continues to expand a broad and contrasting list of characters that range from Tolomeo, Handel’s Cesarian foil, and prince of Egypt; the lost and mysterious Refugee from Jonathan Dove’s Flight; Federico Garcia Lorca, the celebrated 20th century poet and playwright in Osvaldo Golijov’s Ainadamar, who was martyred during the Spanish Civil War; Leonardo, the ghostly Greta Garbo impersonator who inspires Frida Kahlo to make peace with her troubled life in Garbiela Lena Frank’s new Opera El último sueño de Frida y Diego; the stubborn child who, after being disobedient, is scorned by his own furniture as it comes to life in Ravel’s Lenfant et Les Sortilèges; and Orlando, the conquering hero of antiquity who’s desire to love and be loved drives him into the pits of insanity—and the underworld.

As a concert performer, Mr. Bowers has performed numerous works by J. S. Bach including St. John Passion, St. Matthew Passion, Magnificat, Christmas Oratorio, Mass in B minor. Other concert credits include Buxtehude’s Membra Jesu Nostri, Ralph Vaughn William’s Mass in G Minor, Vivaldi’s Gloria, and Mozart’s Mass in D Major.

Mr. Bowers is an active member of internationally celebrated ensembles like Gramophone Award-winning Blue Heron Renaissance Choir, The Handel & Haydn Society, Apollo’s Fire Baroque Orchestra, The Thirteen, Bach Society Houston, VAE: Cincinnati, Ensemble Altera, and The Choir at the Church of the Advent.

Permanently based in New Haven Connecticut, when he isn’t singing, Mr. Bowers enjoys tending to his many houseplants, brushing his two cats Lily & Leonard, and exploring new Ina Garten recipes with his husband.

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ARYSSA LEIGH BURRS

Mezzo-soprano ARYSSA LEIGH BURRS is hailed for her “rich sound and thoughtful musical ideas” while “transcending vocal styles and genres with flexibility and ease” (DC Theater Arts). Recent and upcoming soloist engagements include, Nerone (Poppea, InSeries Opera), Bach’s St. John Passion (Clarion Music Society, The Thirteen), Messiah (The Thirteen), Minerva (Return of Ulysses, InSeries Opera), Wassail! (Apollo’s Fire), BWV 7 (Bach Choir of Bethlehem), and in May 2025, Copland’s In The Beginning (Cathedral Choral Society). Aryssa performs with ensembles such as The Crossing, The Thirteen, Clarion Music Society, and Ensemble Altera. Aryssa’s comfort in various styles is best heard as a founding member of Lyyra, the internationally touring, 6-voiced women’s ensemble from the Voces8 Foundation, which was recently signed to Warner Classics. Lyyra is making strides in the vocal world by promoting women’s voices while performing a wide range of genres for diverse audiences.

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EDWARD VOGEL

With a voice described as “velvet-toned” (BBC Music Magazine), and praised for his “appealing, midweight baritone” (The New York Times), “forthright agility and bold declamation” (Musical America), baritone EDWARD VOGEL is recognized as a sensitive, versatile performer. Recent highlights include solo appearances with the New York Philharmonic, Apollo’s Fire, the Tucson Symphony, and ensemble work with Theatre of Voices, the Bach Collegium Japan, and the Yale Schola Cantorum, with whom he has participated as a soloist in recordings on the Hyperion label. In 2024, he received a GRAMMY® nomination for his work as a soloist on Apollo’s Fire’s recording of Handel’s Israel in Egypt. An avid recitalist, Mr. Vogel’s specialties include British art song of the twentieth century, music from Medieval and Renaissance Iberia, and works by Gustav Mahler; his intimate interpretations of art song have been heard onstage at celebrated venues including the Tanglewood Festival and Wigmore Hall.

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ANDRÉA WALKER

ANDRÉA WALKER, soprano is hailed as “luminous” and “ethereal” (Washington Classical Review). Dedicated to heartfelt and dramatic historically informed performance, she sings across the country with ensembles including GRAMMY® Award-winning orchestra Apollo’s Fire, Atlanta Baroque Orchestra, Pegasus Early Music, NYS Baroque, Harmonia Stellarum Houston, and Ars Lyrica. As a recitalist, she has performed alongside keyboardist Mikhail Grazhdanov (Duo CPE) at the Early Music Seattle Beyond Baroque festival, Cornell Center for Historical Keyboards, Boston Early Music Festival, and Early Music America Summit. Other recent solo engagements include her Lincoln Center debut in Telemann’s Der Tag des Gerichts with Masaaki Suzuki/Juilliard415 and the 2025 Carmel Bach Festival where she was a Virginia Best Adams vocal fellow. Andréa received a Doctorate of Musical Arts in historical performance practice from Case Western Reserve University and holds degrees in vocal performance from the Yale Institute of Sacred Music and University of Houston.

“The U.S.A.’s hottest baroque band.” –CLASSICAL MUSIC MAGAZINE (UK)