SOPHIA BURGOS

Puerto Rican-American soprano Sophia Burgos has in recent seasons established herself internationally as a singer of outstanding intelligence, musicality and stage presence.

Highlights of the season 2023/24 include a CD recording with Ensemble Zwerm in the Netherlands, concerts with Apollo’s Fire in the US, as well as several Lied recitals with pianist Daniel Gerzenberg in the Netherlands and Switzerland.

Most recently, she returned to Opera Nantes-Angers as Vercors in the world premiere of Philippe Leroux’s L’ Annonce faite à Marie, followed by her house debut at De Vlaamse Opera as Mrs Naidoo in Philip Glass‘ Satyagraha. She also made her debut at the Ruhrtriennale Festival in a staged production of Grisey’s Quatre Chants pour franchir le seul, with Klangforum Wien conducted by Peter Rundel. In concert she sang George Crumb’s Ancient Voices of Children with the Los Angeles Philharmonic and Zubin Mehta, Czernowin’s Atara with the Symphonieorchester des Bayerischen Rundfunks and Matthias Pintscher, Grisey’s Quatre Chants pour franchir le seul with Ensemble Intercontemporain as well as recitals in Japan, Liedfestival Zeist and at Heidelberger Frühling.

A champion of new works, Ms. Burgos has premiered J.M. Staud‘s Once Anything Might Have Happened with Ensemble Intercontemporain and Matthias Pintscher in Paris, Gandolfi‘s Cantata: Where can I go from your spirit? with the Boston Symphony Orchestra, Andre Previn’s Two Lyric Songs: The Waking as part of the 75th year anniversary of the Tanglewood Music Center, the title role of Maria Republica by François Paris with Nantes-Angers Opera and Lily Briscoe in To The Lighthouse by Zesses Seglias at the Bregenzer Festspiele.

Recent concert engagements include excerpts from Maria Schneider’s Winter Morning Walks with the Cincinnati Symphony Orchestra, Mendelssohn’s Midsummer Night’s Dream with the Tonhalle Orchester Zurich and Paavo Jaervi, Britten’s Les Illuminations at the Bregenzer Festspiele, Claude Vivier’s Lonely Child with Teodor Currentzis and the Mahler Chamber Orchestra in Munich and Hamburg, the world premiere of Beat Furrer’s Schnee-Szenen with the Symphonieorchester des Bayerischen Rundfunks under Peter Rundel, Bernstein’s Songfest with the BBC Symphony Orchestra and the MDR Sinfonieorchester, George Crumb’s Ancient Voices of Children with Teodor Currentzis and MusicAeterna in Moscow and Perm and with the SWR Sinfonieorchester, Gérard Grisey’s Quatre Chants Pour Franchir Le Seuil with Ensemble Intercontemporain in Paris and with Klangforum Wien, Saint-Saëns’ Le Martyre de Saint Sébastien with the Tonhalle Orchester Zurich under Matthias Pintscher, the title role of Jennie in the New York premiere of Oliver Knussen’s Higglety Pigglety Pop!, Akrostichon Wortspiel by Unsuk Chin and Steve Reich’s Tehillim with Brad Lubman and Musica Nova Ensemble, Dutilleux’ Correspondances with the American Symphony Orchestra at Carnegie Hall.

Available on CD/DVD are works by Berio and de Falla with the Sinfonieorchester Basel and Ivor Bolton (Sony Classical), Emily Dickinson songs by Robin de Raaf with Het Gelders Orkest and Antonello Manacorda (Challenge Records), Teresa/Benvenuto Cellini (Chateau de Versailles Spectacles), Fox/Cunning Little Vixen (LSO Live/Grammy Nomination 2022, Editor’s Choice 10/20, Critics Choice 2020, Gramophone Magazine).

Sophia Burgos holds a master’s degree from the Bard College Conservatory’s Graduate Vocal Arts Program. Awards include the Staetshuys Fonds Prize and Van Riemsdijk Prize in the 54th International Vocal Competition s’Hertogenbosch (Liedduo) in 2021, 2nd Prize and Special Prize at the 2018 ‘Schubert und die Musik der Moderne’ competition in Graz and the German Lied Prize at the 2017 Nadia and Lili Boulanger International Voice-Piano Competition in Paris.

In addition to her career as a singer, Ms. Burgos is passionate about education and outreach through art, holding a degree and certification in Music Education. She recently started her own YouTube channel to create a space for audience members to connect directly with classical music and its performers.

Originally from Chicago, IL, her earliest musical influences were Spanish folk song and dance, as she and her family are strongly tied to their Puerto Rican heritage.

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DAVID GUZMÁN

Puerto Rican bass-baritone DAVID GUZMÁN, currently based in Milwaukee, WI, has made a name for himself as a frequent performer on stages across the Midwest. Since 2022, some of David’s stage work includes Vodník in Rusalka and the Newscaster in the world premiere of Night of the Living Opera (Milwaukee Opera Theatre), the Fifth Jew in Salome and Antonio in Le nozze di Figaro (Madison Opera), and Don Alfonso in Così fan tutte: Remix and the Duke of Verona in Roméo et Juliette (The Florentine Opera). Additionally, in the 2023-2024 season, he joined the chorus of the Lyric Opera of Chicago for their performances of Der fliegende Holländer and Aida.

During the summer of 2022, David made his Milwaukee Opera Theatre debut in their new English adaptation of L’Orfeo. “As the stern Pluto, David Guzmán’s low bass was filled with foreboding” [Gwendolyn Rice] and “carried a much more divine energy about him in the role” [The Small Stage]. Other engagements during the 2021-2022 season included Figaro in Brew City Opera’s performance of the second act of Le nozze di Figaro, the Court Usher in Rigoletto with The Florentine Opera, and Leporello in Don Giovanni at the Teatro América in Puerto Rico.

Early in 2021, David performed the role of Truffaldin in Strauss’s Ariadne auf Naxos as well as Leporello in excerpts from Don Giovanni, both at the University of Cincinnati College-Conservatory of Music (CCM). Other engagements at CCM include the role of Pistola in Falstaff and the bass solo in Bach’s Weinen, Klagen, Sorgen, Zagen [BWV 12] with the CCM Chamber Singers. In 2019, David reprised the role of Sarastro in Die Zauberflöte at the Aquilon Music Festival. The bass-baritone debuted this role in 2017 at the Puerto Rico Conservatory of Music.

In 2018, David made his Wisconsin solo debuts performing the bass solo of Bach’s Jesu, der du meine Seele [BWV 78], part of the St. Casimir Concert Series, and by stepping in as Eddie in Michael Lydon & Ellen Mandel’s football-themed opera Passion in Pigskin, produced by Opera on Tap–Wisconsin. During the same year, he formed part of the young artist roster at the Aquilon Music Festival in Oregon, performing the role of Bartolo in Le nozze di Figaro and creating the role of Monsieur Harpin in the modern-day world premiere of the French parody La chûte de Phaëton, by Lully/Le Grand.

Past roles include Kecal in The Bartered Bride and Thierry & M. Javelinot in Dialogues des Carmélites (Puerto Rico Conservatory of Music), the Herald in Verdi’s Otello (Teatro de la Ópera), King Herod in the world premiere of Albert Guidobaldi’s opera-oratorio El Auto Sacramental de los Reyes Magos, and Don Attilio in The Phantom of the Opera (PSB Productions).

During the 2016-2017 season, David co-founded and directed the baroque vocal octet, the Puerto Rico Baroque Singers. He presented two all-Bach concerts with the ensemble and performed the bass solo in Christ lag in Todes Banden [BWV 4].

David regularly performs with Cincinnati-based ensemble The Union under the baton of Trevor Kroeger. Early in 2019, David joined the Junges Stuttgarter Bach Ensemble in Germany where, during Bach Week, he performed cantatas by Bach and Telemann as well as Telemann’s Johannes-Passion in a series of lecture concerts led by Hans-Christoph and Jos van Veldhoven. In 2015 and 2017, the bass-baritone formed part of the Weimar Bach Cantata Academy, led by Helmuth Rilling. Similarly, David’s time with the ensemble consisted of lecture concerts in Weimar, Leipzig, and Eisenach, among other cities where J.S. Bach lived and worked. Later in winter 2017, David was invited for a special Weihnachts-Oratorium engagement with Helmuth Rilling in Schwäbisch Gmünd.

Aside from his onstage pursuits, David is an avid language lover whose studies have recently focused on Russian and his native Spanish. In 2024, the bass-baritone founded Thee Studio, providing voice lessons and vocal and language coaching to artists and enthusiasts.

David Guzmán holds a Bachelor of Music Degree from the Puerto Rico Conservatory of Music and a Master of Music Degree from the University of Cincinnati College-Conservatory of Music.

“The U.S.A.’s hottest baroque band.” –CLASSICAL MUSIC MAGAZINE (UK)