In 2019, AF’s Board of Directors approved the launch of the MOSAIC PROJECT– the second phase of AF’s Community Access Initiative. In this phase, Apollo’s Fire is prioritizing diversity throughout our organization and our audience. Ultimately, our goal is to help increase diversity throughout the national early music field.
Why Mosaic? Like early music, a mosaic is an ancient art form. Just as a baroque composition consists of small thematic gestures linked together in harmony, so a mosaic picture consists of small, varied, colored pieces assembled in a design. In mosaics and in early music, the diverse, multicolored bits work harmoniously together to create the beauty of the whole.
Conceived by Artistic Director Jeannette Sorrell, this ambitious Diversity, Equity, and Inclusivity initiative offers training, performance, and mentoring for talented young musicians of color. The program has clear targets for the next 3-5 years as we seek to diversify AF’s Musettes Ensemble (treble youth chorus), professional chorus, Board, staff, and the orchestra. Apollo’s Fire seeks to nurture a new generation of baroque musicians of color, helping to build a more diverse pool of early music performers within 5-10 years.
The MOSAIC project seeks to nurture future musicians of color through a “pathway” approach – reaching children, teens, and young adults at multiple touch points throughout a young musician’s development. Over the course of 3-8 years, talented young musicians of color will be inspired through interactions and mentoring by AF’s artistic personnel at various levels, reinforcing the message that “we all belong” in this world of classical music.
The program includes:
- Diversity Fellowships, providing professional performance opportunities and mentoring for talented young classical musicians of color. The Fellows are drawn from a national pool. They work with Artistic Director Jeannette Sorrell and AF core musicians, performing in Apollo’s Fire subscription and tour concerts and outreach activities.
- Music Outreach Internships, providing paid internship opportunities for college-age music students who perform in AF’s in-school workshops and Family Concerts. The Interns are drawn from the Northeast Ohio area. We are now accepting applications for Spring 2022 Internships. If you are a college or conservatory student majoring in music performance, music education, or music therapy, you can apply – as an individual, a trio, or quartet. MORE INFO
- Small-group classical music coachings for children of color through AF’s Musettes Ensemble (treble youth chorus), CIM’s Musical Pathways Fellowship program, and the Rainey Institute in urban Cleveland.
Reggie Mobley, Visiting Artist for Diversity Outreach
Reggie is a respected countertenor with an international solo career. His European engagements include the Academy of Ancient Music, the English Baroque Soloists & Monteverdi Choir (John Elliot Gardiner), the Royal Scottish National Orchestra, and Bachfest Leipzig. In North America, he has performed with the Seattle Symphony, Calgary Symphony, the St. Paul Chamber Orchestra, the Handel & Haydn Society (Boston), and the Boston Early Music Festival, among others.
With roots in the Deep South and the struggles of the black community, Reggie is dedicated to helping the classical music industry overcome its inequality issues regarding race, gender, and sexuality. A strong devotion to social and political activism is part of Reggie’s everyday life, adding to his strength in reaching diverse communities. His outreach experience includes designing programs of music by 18th-century African composers who worked in Europe. A versatile artist, Reggie has performed cabaret shows of gospel, jazz, and torch songs in jazz clubs. He serves as programming consultant for the Handel & Haydn Society, where he directs the “Every Voice” program.
Andréa Walker, Artist Fellow
Mexican-American soprano Andréa Walker grew up in San Antonio, Texas. Recent solo engagements include her Lincoln Center debut in music of Telemann with Masaaki Suzuki and Juilliard415; touring in Germany as soloist with Yale Schola Cantorum; her solo debut with Apollo’s Fire in 17th-century German repertoire; and concerts at the Norfolk Chamber Choir Festival under the direction of Simon Carrington.
She is pursuing her Doctorate in historical performance practice at Case Western Reserve University. She holds a Master’s in vocal performance from the Yale Institute of Sacred Music, where she studied early music, oratorio, and art song. As a MOSAIC fellow with Apollo’s Fire, she is thrilled to help bring baroque and Hispanic folk music to new audiences in the Latinx community and beyond.
Sonya Headlam, Guest Artist
Sonya Headlam, soprano, brings passion to the stage in music from baroque to contemporary. She first joined Apollo’s Singers in 2021 as a member of the ensemble. She made her solo debut with Apollo’s Fire in 2022 at Severance Hall, with critics calling her “the highlight of the concert… Headlam sang flawlessly and with seeming abandon” (ClevelandClassical.com). Sonya returns in the 2022-23 season as soloist in Handel’s Messiah.
Sonya made her Carnegie Hall debut as soloist in Vaughan Williams’ Dona Nobis Pacem and Haydn’s Paukenmesse. She has performed in South America, the Caribbean, Europe, and Asia, as well as across the U.S. Recent and upcoming solo engagements include Beethoven’s Ninth Symphony with the North Carolina Symphony, Bach’s B Minor Mass with the Grand Rapids Bach Festival, a Caribbean tour with members of the Cuban Philharmonic, and the role of Fiordiligi in Mozart’s Così fan tutte with Light Opera of New Jersey. Born of Jamaican parentage, Sonya holds a Doctor of Musical Arts degree in Vocal Performance from Rutgers University.
Host & Producer, “I ♥️ Music” Educational Video Series
Gabriella (Gaby) Martinez joined the Apollo’s Fire team in 2018 as co-creator of AF’s first in-school workshop for elementary grades – Apollo the Spider’s Musical Adventure. She is currently co-director and co-host of I ♥ Music, AF’s new Discovery Series of videos for young children. Originally from Cleveland, Gaby earned her Bachelor of Science in Psychology and Dance from Baldwin Wallace University, and recently relocated to Chicago. In addition to being a performer, she has worked as a Teaching Artist and Program staff for many arts nonprofits in Cleveland, including The Dancing Wheels Company and Center for Arts-Inspired Learning. Gaby strives to engage different communities through her work, in particular, youth in creative arts-related curriculums. Gaby is thrilled to be working with Apollo’s Fire!
Jonathan Woody, Bass-Baritone and Composer
Jonathan Woody’s singing has been praised as “charismatic” and “riveting” (New York Times). His past performances with Apollo’s Fire include national tours in 2014 and 2018. A thoughtful and thought-provoking composer, two of his compositions on themes of the Black experience in America have been featured in Apollo’s Fire programs (and one of them was commissioned by AF). His engagements with others period groups include the Boston Early Music Festival, Tafelmusik, Trinity Wall Street, New York Polyphony, Bach Collegium San Diego, and New York Baroque Incorporated. Festival appearances include the Britten-Pears Young Artist Programme at the Aldeburgh Festival (UK), Carmel Bach Festival (as 2013 Adams Fellow), and the Oregon Bach Festival (as 2014 Vocal Fellow). Jonathan can be heard on CD recordings with the Boston Early Music Festival, New York Polyphony, and Trinity Wall Street. As a composer, he has been commissioned by ensembles including Apollo’s Fire, the Handel & Haydn Society, and the Uncommon Music Festival.
Past MOSAIC Artists & Fellows:
Ashlee Foreman, Artist Fellow
Ashlee Foreman, soprano, has been hailed as “a real discovery… an important new singer. Her voice has a tremendous range and is deployed with theatrical assurance” (Seen & Heard International, UK). Her solo debut with Apollo’s Fire in 2020 was called “a tour-de-force” by Cleveland.com. She has also appeared as soloist with Apollo’s Fire on tour at the Metropolitan Museum of Art in New York, St. Martin-in-the-Fields in London, the Heideberg International Spring Festival (Germany), and in Chicago and San Francisco.
Ashlee received her Bachelor’s in music from Cleveland State University and her high school diploma from the Cleveland School of the Arts. While an undergrad, she served as Apollo’s Fire’s first Artistic Outreach Intern, singing in school workshops and Family Concerts. In 2020 she joined AF’s professional chorus, Apollo’s Singers. She has also performed with the Akron Symphony Orchestra, Cleveland Opera, Spire Chamber Ensemble (Kansas), and she sang the lead in Menotti’s opera The Telephone at the University of Akron.
Diego Diaz, violin
Venezuelan violinist Diego Diaz served as a teaching artist in Apollo’s Fire’s “SIDE BY SIDE” strings program at the Matteson School District in South-side Chicago from 2021-2023. He has performed with several orchestras in his home country of Venezuela, and also participated in tours to Europe and Asia, under such renowned conductors as Gustavo Dudamel, Sir Simon Rattle, and Diego Matheuz.
Diego is a 2021-22 Chicago Sinfonietta Project Inclusion Fellow in both the Orchestral and Ensemble programs. He also serves as a member of the Civic Orchestra of Chicago. He began his music studies at age 9 as part of the renowned “El Sistema” program of Venezuela. He recently received his Master’s in violin performance from Roosevelt University, as a student of Almita Vamos and Vamos. He was the 1st prize winner in the 2013 Juan Bautista Plaza Competition in Caracas.