American contralto Emily Marvosh has established a reputation as a singing actress with excellent musicianship, a “plum-wine voice,” and “graceful allure,” on national and international stages. Recent solo appearances include the Handel and Haydn Society, Boston Symphony Orchestra, Rhode Island Philharmonic, Charlotte Symphony, Huntsville Symphony Orchestra, Tucson Symphony Orchestra, and John Davenant’s Macbeth with the Henry Purcell Society of Boston, as well as solo recitals in Tucson and the Boston area. Awards include the prestigious Adams Fellowship at the Carmel Bach Festival, the American Prize in the Oratorio and Art Song divisions, and second place in the New England Regional NATSAA competition. In the 2022-2023 season, she was the inaugural Resident Artist with the Lexington (MA) Symphony.
Her contributions to 21st century repertoire and performance include world premiere performances with The Thirteen, Juventas New Music, Shoreline Music Society, the Manchester Summer Chamber Music Festival, and the Hugo Kauder Society. She is a member of the Lorelei Ensemble, which promotes innovative new music for women. With Lorelei, she has enjoyed collaborations with composers David Lang and Julia Wolfe, the Boston Modern Orchestra Project, A Far Cry, Duke Performances, and major symphony orchestras in Boston, Chicago, Nashville, and San Francisco.
A frequent recitalist and proud native of Michigan, Emily Marvosh created a chamber recital celebrating the history and culture of her home state, which won a St. Botolph Club Foundation Emerging Artist Award. Additional solo performances in Michigan are planned for the 2023-2024 season.
She belongs to Beyond Artists, a coalition of artists that donates a percentage of their concert fees to organizations they care about. She supports Rosie’s Place and the Gabriela Lena Frank Creative Academy of Music through her performances. She holds degrees from Central Michigan University and Boston University.