This program replaces Handel’s oratorio Israel in Egypt, which cannot safely be performed in current pandemic conditions.
Tapestry
Jewish Ghettos of Baroque Italy
Daphna Mor,recorder & vocals
Ashlee Foreman,soprano
Daniel Moody,countertenor
Jacob Perry,tenor
Jeffrey Strauss,baritone
Thursday, March 18, 2021, 7:30PM
First United Methodist Church, AKRON
*venue change
Friday, March 19, 2021, 7:30PM
AVON LAKE United Church of Christ
*venue change
Saturday, March 20, 2021, 8:00PM
First Baptist Church, SHAKER HEIGHTS
*venue change
Sunday, March 21, 2021, 4:00PM
First Baptist Church, SHAKER HEIGHTS
Purchase Tickets

VIRTUAL TICKETS – To purchase Watch-at-Home tickets, click on the Purchase Tickets button, then choose “March 29” from the drop-down menu. This is the date on which you will receive access to the video. You will be able to watch the video at any time for 30 days beginning on March 29th.

ATTEND IN PERSON OR AT HOME! Your ticket entitles you to attend in person if pandemic conditions permit, or watch the concert-video at home beginning on March 29.

In 1600, Italy was home to a fascinating melting pot of Jews from northern Europe, Spain, North Africa, and the Middle East. Though confined to crowded ghettos, the Italian Jews enlivened Italy with a vibrant mix of Sephardic and Ashkenazi musical traditions. In Venice and Mantua, Jewish and Catholic composers such as Salamone Rossi, Claudio Monteverdi, and Benedetto Marcello worked side by side and influenced each other. Our 15 musicians weave a musical tapestry, from prayer to feasting. Hebrew chants and baroque settings of the Psalms meet instrumental virtuosity – including a sparkling Sammartini concerto featuring Israeli recorder virtuoso Daphna Mor.

“Innovative and brilliant… a magic carpet that swept Sunday’s large audience away.”
– CoolCleveland.com

 

Pre-Concert ZOOM Talks

Watch this lively lecture at home anytime beginning Wednesday 3/17. And join the live Q&A with our artists via Zoom, Saturday 3/20 at 1pm. A ZOOM link will be sent to all ticket holders for these concerts.
 

Post-Concert VIRTUAL LOBBY

Meet 2-3 of the featured the artists in our new Q&A ZOOM discussions – Sunday 3/21 (for patrons who attend the live concert) and Tuesday 3/30 at 7:30pm (for patrons who watch the video at home). Sit down with a glass of wine for 30 minutes and toast the musicians on their performance!

Hear the Music

Watch Videos

Meet the Artists

  • DAPHNA MOR
    DAPHNA MOR
    ney & recorder
  • ASHLEE FOREMAN
    ASHLEE FOREMAN
    soprano
  • DANIEL MOODY
    DANIEL MOODY
    countertenor
  • JACOB PERRY
    JACOB PERRY
    tenor
  • JEFFREY STRAUSS
    JEFFREY STRAUSS
    baritone
 

NEXT CONCERT: Celebration

These concerts are generously sponsored by
Karen & Richard Spector

The Miracle of the Relic of the True Cross on the Rialto Bridge, 1494 (oil on canvas) / Carpaccio, Vittore (c.1460/5-1523/6) / Gallerie dell’Accademia, Venice, Italy / Bridgeman Images

“The U.S.A.’s hottest baroque band.” –CLASSICAL MUSIC MAGAZINE (UK)

DAPHNA MOR
ney & recorder

has performed throughout Europe and the United States as both a soloist and ensemble player. Mor’s “astonishing virtuosity” (Chicago Tribune) has been heard in solo recitals in the United States, Croatia, Germany and Switzerland. She has performed as a soloist with the New York Collegium, the New York Early Music Ensemble and Little Orchestra Society, and as a member of the orchestra with the New York Philharmonic, New York City Opera and Orchestra of St. Luke’s. Mor was awarded First Prize in the Settimane Musicali di Lugano Solo Competition and the Boston Conservatory Concerto Competition, and has appeared in a duo with Joyce DiDonato on the singer’s promotional tour for the album In War and Peace. Devoted to new music, Mor has recorded on John Zorn’s Tzadik label, and has performed the world premiere of David Bruce’s Tears, Puffes, Jumps, and Galliard with the Metropolis Ensemble. Also active in the world music community, Mor has performed in festivals and on stages worldwide, including New York’s Summer Stage and Munich’s Gasteig. She can also be heard on Sting’s album If On A Winter’s Night for Deutsche Grammophon. Mor serves as the Music Director of Beineinu, a New York initiative dedicated to the modern cultivation of Jewish culture, and is a performer and teacher of liturgical music of the Jewish diaspora. She leads programs for the Education Department of the Metropolitan Museum of Art.

ASHLEE FOREMAN
soprano

is currently a Master’s candidate at the University of Akron. She holds a degree in vocal performance from Cleveland State University, where she studied voice with Amanda Powell. She has also studied with Ms. Noriko Paukert, Dr. Laurie Lashbrook, and Dr. Frank Ward. Ms. Foreman has received African American Spiritual performance scholarships named for the late A. Grace Lee Mims, with whom she studied voice. While an undergraduate student, she served as AF’s first Artistic Outreach Intern, singing the role of Princess Pamina in AF’s in-school workshops and performances. She has performed with the Akron Symphony Orchestra and Cleveland Opera. In 2020 she joined AF’s professional chorus, Apollo’s Singers, with whom she has performed in Cleveland and New York City.

DANIEL MOODY
countertenor

Countertenor Daniel Moody has garnered widespread acclaim for his “sweet and melancholy sound” (The Washington Post) and his ability to “pierce hearts” and “utterly silence a room” (The Boston Musical Intelligencer). Cited for a “vocal resonance, [that] makes a profoundly startling impression” (The New York Times) and for his “vivid and powerful” voice (The Boston Musical Intelligencer), Mr. Moody is equally celebrated for his interpretations of contemporary and baroque works.

Moody’s opera appearances have included the title roles in Handel’s Giulio Cesare and Rinaldo, Arsamene in Xerxes, Lichas in Hercules, Didymus in Theodora, Oberon in Britten’s A Midsummer Night’s Dream, L’Enfant in Ravel’s L’enfant et les sortileges, and as the “eerie yet forceful” (Broadway World) leading role of Man #1 in the world premiere of Desire by composer Hannah Lash. Moody recently appeared as Nerone in Monteverdi’s L’incoronazione di Poppea at Cincinnati Opera. American Record Guide raved about “how versatile (Moody) and his voice have become,” and spoke of “numerous moments of utter beauty…where he would start singing ever so sweetly and then just let his voice blossom out into something big and round and smooth.”

Moody’s upcoming performances include debuts with Opera Lafayette (Venus and Adonis) and Minnesota Orchestra (Messiah), a tour of St. Matthew Passion with Apollo’s Fire, Handel’s Orlando at Staunton Festival and the premiere of Elena Ruehr’s Cosmic Cowboy, to be performed in the fall of 2020 with White Snake Projects.

“Moody delivered a combination of tenderness and theatrical verve” (San Francisco Chronicle) in his recent duet concert with mezzo-soprano Anne Sofie von Otter and the Philharmonia Baroque Orchestra (Nicholas McGegan), and his performance of the title role in Handel’s Rinaldo led the San Diego Story to declare, “Moody’s voice grows stronger and brighter as it ascends. He may help create a new operatic vocal category: Helden Countertenor.” Daniel has also performed roles in Mark Morris’ productions of Britten’s Curlew River and Purcell’s Dido and Aeneas at BAM (Howard Gilman Opera House) and at the Tanglewood Music Festival where the Financial Times noted his “inspired and absorbing performances.”

Moody recently made his Carnegie Hall Stern Auditorium debut with Oratorio Society of New York and also with Musica Sacra (Kent Tritle), and has performed as soloist with the Atlanta Symphony (Thomas Søndergård conducting), Les Violons du Roy in Québec City, (Bernard Labadie), Apollo’s Fire, The Cleveland Baroque Orchestra (Jeannette Sorrell), the Portland Baroque Orchestra (David Hill), and symphonies of Illinois, Charleston (Ken Lam), and Winston-Salem (Robert Moody). He gave the American premiere of George Benjamin’s intricate Dream of the Song (Stefan Asbury) at the Festival of Contemporary Music at Tanglewood Festival. He has also appeared with numerous early music groups including Boston, Indianapolis and Washington Early Music Festivals, renowned group Acronym at the Isabella Stewart Gardner Museum in Boston, Baroque Chamber Orchestra of Colorado, Mountainside Baroque (Maryland) and La Fiocco (Pennsylvania).

WEBSITE

JACOB PERRY
tenor

Tenor Jacob Perry Jr., based in the Washington Metro Area, receives praise for his “gorgeous and stylish” interpretations of Renaissance and Baroque repertoire (ClevelandClassical.com). He has been featured as a soloist with Apollo’s Fire, Handel Choir of Baltimore, Mountainside Baroque, Tempesta di Mare, The Thirteen, Washington Bach Consort, and The City Choir of Washington. Jacob has been selected as the tenor participant of the Virginia Best Adams Masterclass of the 2020 Carmel Bach Festival.

Deeply immersed in vocal chamber music, Jacob enjoys active membership in Les Canards Chantants, a soloist-ensemble based in Philadelphia, as well as engagements with ensembles such as The Thirteen, the Art of Early Keyboard (ARTEK), New Consort, and Cathedra. Additionally, he can be heard singing with larger choirs such as Yale Choral Artists, The Clarion Choir, Washington Bach Consort, and the Choir of Washington National Cathedral. He has explored the vocal works by contemporary composers through engagements with Third Practice, hexaCollective, and Great Noise Ensemble. In his newly assumed role as Co-Director of Bridge, a genre-defying vocal ensemble based in Washington, he draws on his instincts for theatricality and story-telling, as the group explores the connections between early masterpieces and ground-breaking new works.

Career highlights include multiple tours performing in Roman Basilicas with the choir of the Basilica of the National Shrine, headlining the inaugural festival of Western Early Music at the Beijing Central Conservatory of Music with Les Canards Chantants, his Kennedy Center debut as a featured soloist in Monteverdi’s Vespro della Beata Vergine with The Thirteen, and a recital celebrating the anniversary of Monteverdi’s 450th birthday with theorbists Richard Stone and William Simms.

Since 2013, Jacob has served as a cantor and professional chorister of the Basilica of the National Shrine of the Immaculate Conception. He earned his B.A. in Vocal Performance from University of Maryland, Baltimore County.

WEBSITE

JEFFREY STRAUSS
baritone

Praised as “an authoritative artist” (Cleveland Plain Dealer) and “an elegant and energetic singer” (Seen and Heard International), baritone Jeffrey Strauss has performed with leading period music ensembles including Tafelmusik, the Consort of Musicke with Emma Kirkby and Anthony Rooley, the Taverner Consort under Andrew Parrott, The Handel & Haydn Society, Seattle Baroque, The Newberry Consort, and Tempesta di Mare, among many others. Trained at an early age in Jewish liturgical music by Cantor Daniel Gildar, he later studied voice and art song in London with Yvonne Rodd-Marling and Martin Penny, and in Paris with Gérard Souzay. He has been a regular soloist with Apollo’s Fire since 1995, and is especially known for his appearances in Handel’s Messiah, the Bach St. John and St. Matthew Passions, Sephardic Journey, O Jerusalem!, and music of Monteverdi including the 1610 Vespers, Il Combattimento di Tancredi e Clorinda, and the title role in L’Orfeo. A longstanding proponent of contemporary music, he has collaborated with Ralph Shapey and the Contemporary Chamber Players of the University of Chicago (Contempo), the Chicago Chamber Musicians, the Pacifica Quartet, and Eighth Blackbird, and has premiered works by Babbitt, Bernstein, Axelrod, and Shapey. He has appeared twice with the Omaha Symphony, and performed the role of Mephistopheles in Berlioz’s Damnation of Faust. An accomplished stage actor, his 2014 performance as Tevye in Fiddler on the Roof at the Lancaster Opera House—reprising a role he first played at age 17—was hailed as “masterful” (Buffalo News).