Now an acclaimed CD, Jeannette Sorrell’s interpretation of Handel’s Messiah has inspired audiences across the country on many national radio broadcasts. Taking their cue from Handel’s original conception of the piece as theatrical entertainment, Sorrell and her actor-singers take the listeners on a spiritual and emotional journey. The program heads to New York City following local performances.
Choose your length!
2-1/2 hours on December 10 & 16
2-1/4 hours on December 9, 11 & 12
These concerts are generously sponsored by Landerhaven Dental Associates
Dr. Bill Lavigna D.D.S. and Dr. Joe Leon D.M.D.
Fame (oil on canvas), Sementi, Giovanni Giacomo (1583-1636) / Galleria Sabauda, Turin, Italy / Bridgeman Images
delights audiences internationally with her “lustrous sound and fluent legato” (San Francisco Chronicle). Highlights of her recent seasons include Josabeth in Handel’s Athalia with the Göttingen Handel Festival, Dorinda in Handel’s Orlando for VOICEBOX: Opera in Concert (Toronto), Benjamin Britten’s Les Illuminations with the Talisker Players (Toronto), Rameau’s Pygmalion with the Boston Baroque, Handel’s Silete Venti for the Haendelfestspielerorchester (Halle), Rauzzini’s Piramo e Tisbe with Capella Savaria (Hungary), and Handel’s Messiah for the Toronto Symphony. Ms. Hall’s operatic roles include the title roles of Monteverdi’s L’Incoronazione di Poppea (Houston Grand Opera), Handel’s Partenope (Göttingen Handel Festival, Germany), Handel’s Semele (Handel and Haydn Society, Boston), and Rameau’s Zéphyre (Philharmonia Baroque, San Francisco). Ms. Hall’s many appearances with Opera Atelier of Toronto include Susanna in The Marriage of Figaro, Zerlina and Elvira in Don Giovanni, and Pamina in The Magic Flute. Other notable roles include Eurydice in Gluck’s Orfeo (Cleveland Opera), leading roles in Rameau’s Castor et Pollux and Hippotyte et Aricie for VOICEBOX: Opera in Concert, and Altisidore in Boismortier’s Don Quichotte for the Dijon Opera and the Paris Opera Comique. Ms. Hall has recorded for Deutsche Grammophon/Archiv, Philips, Naxos, CBC Records, Dorian and Avie. Highlights of her current season include performances with Apollo’s Fire in Sacrum Mysterium: A Celtic Christmas Vespers in New York and a program of arias by Mozart and Haydn for Lyra Baroque in St. Paul, Minnesota.
Praised for her “focused golden toned voice,” American mezzo-soprano Amanda Crider is quickly gaining recognition for her extraordinary musicality and assured dramatic presence. Engagements for the 2015-2016 season include her debut with Florentine Opera as Prince Orlovsky in Die Fledermaus, Alma in the world premiere opera Persona with Beth Morrison Projects, her return to Eugene Opera as Olga in Eugene Onegin, a series of concerts with Seraphic Fire, and Handel’s Messiah with Augustana College. In the 2014-2015 season Ms. Crider was heard as a soloist with New World Symphony for de Falla’s El amor brujo, the Louisiana Philharmonic for a Baroque Christmas, Carnegie Mellon Philharmonic for Mozart’s Requiem under the baton of Manfred Honeck, and her role debut as Angelina in La Cenerentola with Opera Roanoke. In the summer of 2015, she sang Laurey in Oklahoma with the Southwest Michigan Symphony Orchestra. Future seasons include a debut with Boston Lyric Opera.
is consistently praised for his sensitive musicianship, vivid portrayals, and beautiful voice. With a vast repertoire that spans from the Renaissance to contemporary music, he has firmly established himself as a sophisticated and versatile artist of his generation. Recent highlights include engagements at Lincoln Center, the Kennedy Center, Carnegie Hall, New York City Opera, Boston Lyric Opera, Chicago Opera Theater, Aldeburgh Festival and Snape Proms, the Casals Festival, Aspen Music Festival and the International Bach Festival. Mr. Sulayman recently completed three seasons at the Marlboro Music Festival collaborating with Mitsuko Uchida and Richard Goode, and continues to focus on championing vocal chamber music under the auspices of Philadelphia Chamber Music Society, Brooklyn Chamber Music Society, Cleveland ChamberFest, among other esteemed presenters, and earlier this season performed programs of French chamber works at the Roman River Festival in the UK which were recorded by the BBC. Also in the 2016-2017 season he debuted with Houston Grand Opera as Albert in the world premiere of Laura Kaminsky’s Some Light Emerges.
This season he looks forward to debuts with the National Symphony at the Kennedy Center in Messiah, the Australian Brandenburg Orchestra as Testo in Monteverdi’s Il Combattimento di Tancredi e Clorinda, his professional acting debut in Karin Coonrod’s groundbreaking production of Shakespeare’s The Merchant of Venice (Off Broadway), and to a US national tour as the title role in Monteverdi’s L’Orfeo with Apollo’s Fire Baroque Orchestra, along with the release of his debut solo album, Songs of Orpheus, of 17th-century Italian composers on the AVIE label. Next season he plays the role of Claudio Monteverdi at Stockholm’s beloved Drottningholms Slottsteater in the world premiere of The Voice of Europa. He also appears and sings “I go on” from Mass in the upcoming ARTE documentary Leonard Bernstein – The Composer, to be aired throughout Europe in the summer of 2018 and subsequently released on DVD.
His growing discography includes the title role in Handel’s Acis and Galatea, and two releases for NAXOS in works of Philidor and Grétry, as well as the release of Sephardic Journey with Apollo’s Fire on AVIE which debuted at the Number 2 slot on the Billboard World Music Chart and Number 7 on the Classical Chart. He is also featured on the album of Jonathan Dawe’s 21st-century chamber works, Piercing are the Darts, on the Furious Artisans label and on the future EP release of Matt Frey’s new chamber opera 111 Heavy with the ensemble Hotel Elefant.
Mr. Sulayman’s musical education began with violin studies at age three, and years as a boy alto soloist, which included performances with the Chicago Symphony Orchestra under Sir Georg Solti and the St. Louis Symphony under Leonard Slatkin. He holds degrees from the Eastman School of Music and Rice University and also studied improvisation at the Second City Training Center in Chicago.
an “authoritative artist” (CLEVELAND PLAIN DEALER) whose performances have been praised as “captivating” (CHICAGO TRIBUNE) and “serenely beautiful” (NEW YORK TIMES), has appeared with period-instrument ensembles including The Consort of Musicke with Emma Kirkby, the Taverner Consort under Andrew Parrott, Tafelmusik, the Handel & Haydn Society (Boston), the Newberry Consort (Chicago), Seattle Baroque, and Tempesta di Mare (Philadelphia). This season marks his 25th with Apollo’s Fire. He made his professional debut at 17 with the Buffalo Philharmonic and studied voice in Paris with Gérard Souzay. An accomplished stage actor, favorite projects have included the title role in Monteverdi’s L’Orfeo, Jesus and Pilate in the Bach Passions, Méphistophélès in Berlioz’ Damnation of Faust, and Apollo in Handel’s Apollo e Dafne. His 2014 portrayal of Tevye in Fiddler on the Roof was hailed by the BUFFALO NEWS as “masterful.” His longstanding commitment to contemporary music includes numerous appearances with the Contemporary Chamber Players (Contempo) in Chicago and performances of Ned Rorem’s song cycle Aftermath, Lawrence Axelrod’s The Immanence of Angels and Ophélia, Paul Schoenfield’s Camp Songs, a jazz oratorio with the Dave Brubeck Quartet, and premieres of works by Bernstein, Babbitt, Shapey, and Cipullo. CD recordings with Apollo’s Fire include the Monteverdi Vespers of 1610; Handel’s Messiah; Sephardic Journey, which debuted in 2016 at #2 on the BILLBOARD World Music chart; Bach’s St. John Passion; and Apollo’s Fire’s most recent CD release, Christmas on Sugarloaf Mountain.
conductor & harpsichordist
“Under the inspired leadership of Jeannette Sorrell, Apollo’s Fire has become one of the pre-eminent period-instrument ensembles, causing one to hear baroque material anew.”
–THE INDEPENDENT, London
Jeannette Sorrell is recognized internationally as a leading creative voice among early-music conductors. She has been credited by the U.K.’s BBC MUSIC MAGAZINE for forging “a vibrant, life-affirming approach to the re-making of early music… a seductive vision of musical authenticity.”
Hailed as “one of the world’s finest Baroque specialists” (ST. LOUIS DISPATCH), Sorrell was one of the youngest students ever accepted to the prestigious conducting courses of the Aspen and the Tanglewood music festivals. She studied conducting under Robert Spano, Roger Norrington and Leonard Bernstein, and harpsichord with Gustav Leonhardt in Amsterdam. She won both First Prize and the Audience Choice Award in the 1991 Spivey International Harpsichord Competition, competing against over 70 harpsichordists from Europe, Israel, the U.S., and the Soviet Union.
Sorrell founded Apollo’s Fire in 1992. Since then, she and the ensemble have built one of the largest audiences of any baroque orchestra in North America. She has led AF in sold-out concerts at London’s BBC Proms and London’s Wigmore Hall, Madrid’s Royal Theatre (Teatro Real), the Grand Théâtre de l’Opéra in Bordeaux, the Aldeburgh Festival (UK), the Tanglewood Festival, Boston’s Early Music Festival, the Aspen Music Festival, the Library of Congress, and the Metropolitan Museum of Art (New York), among others.
As a guest conductor, Sorrell has worked with many of the leading American symphony orchestras. Her debut with the Pittsburgh Symphony in 2013 as conductor and soloist in the complete Brandenburg Concertos was met with standing ovations every night and hailed as “an especially joyous occasion” (PITTSBURGH TRIBUNE-REVIEW). She has also appeared as conductor or conductor/soloist with the New World Symphony (Miami), the Los Angeles Chamber Orchestra, Seattle Symphony, the Opera Theatre of St. Louis with the St. Louis Symphony, Handel & Haydn Society (Boston), the Omaha Symphony, Grand Rapids Symphony, and has appeared with the Cleveland Orchestra as guest keyboard artist. In 2014 Ms. Sorrell filled in for British conductor Richard Egarr on 5 days’ notice, leading the complete Brandenburg Concertos and playing the harpsichord solo in Brandenburg No. 5 for the closing concert of the Houston Early Music Festival. In 2015 she returned to the Pittsburgh Symphony as conductor/soloist.
Sorrell and Apollo’s Fire have released 24 commercial CDs, of which six have been bestsellers on the BILLBOARD classical chart. Her recordings include the complete Brandenburg Concerti and harpsichord concerti of Bach (with Sorrell as harpsichord soloist and director), which was praised by the LONDON TIMES as “a swaggering version… brilliantly played by Sorrell.” She has also released four discs of Mozart and was hailed as “a near-perfect Mozartian” by FANFARE RECORD MAGAZINE. Other recordings include Handel’s Messiah, the Monteverdi Vespers and four creative crossover projects: Come to the River – An Early American Gathering; Sacrum Mysterium – A Celtic Christmas Vespers; Sugarloaf Mountain – An Appalachian Gathering, and most recently, Sephardic Journey – Wanderings of the Spanish Jews.
Sorrell has attracted national attention and awards for creative programming. She holds an honorary doctorate from Case Western University, two special awards from the National Endowment for the Arts for her work on early American music, and an award from the American Musicological Society. Passionate about guiding the next generation of performers, Ms. Sorrell has led many baroque projects for students at Oberlin Conservatory.