“A disc to remember…
exquisite and poignant”
The tenor who won the hearts of AF audiences as the Evangelist in Bach’s St. John Passion returns in this intimate program of love and loss – through the lute songs of Dowland, Morley and Purcell. Six Apollo’s Fire musicians on strings and lutes help to paint the tale.
Thomas MORLEY A Painted Tale (lute song)
William LAWES Ayres & Dances from The Royall Consort (instrumental)
Henry PURCELL Sweeter than roses (lute song)
John DOWLAND Can she excuse my wrongs? (lute song)
Henry PURCELL An Evening Hymn
PRE-CONCERT TALKby lutenist Daniel Shoskes, one hour before each performance. The lecture will discuss the information the performers get from the musical manuscripts and the choices they need to make to create a musical, entertaining, and historically informed performance.
*FRIDAY NIGHT: Enjoy old English pub fare – cider, ale and tarts – and meet the performers. FREE!
Hear the Music
1. DOWLAND Now, oh now I must needs part “A Painted Tale” Nicholas Phan
2. LAWES Saraband from the Royall Consortt, Sett 9 in F Major performed by Phantasm, 2015
3. LAWES Corant from the Royall Consortt, Sett 9 in F Major performed by Phantasm, 2015
A Passing Cloud, 1891 (oil on panel), Stone, Marcus (1840-1921) / Manchester Art Gallery, UK / Bridgeman Images
Named one of NPR’s “Favorite New Artists of 2011,” American tenor Nicholas Phan is increasingly recognized as an artist of distinction. Praised for his keen intelligence, captivating stage presence and natural musicianship, he performs regularly with the world’s leading orchestras and opera companies. Also an avid recitalist, in 2010 he co-founded the Collaborative Arts Institute of Chicago (CAIC) to promote art song and vocal chamber music.
In the summer of 2017, he returns to the San Francisco Symphony for Berlioz’ Roméo et Juliette with Michael Tilson Thomas, to the Oregon Bach Festival, to the Thüringer Bachwochen’s Weimar Bach Academy, and to Wolf Trap for Carmina Burana with the National Symphony Orchestra and Gianandrea Noseda. Highlights of his upcoming 2017/2018 season include his debuts with the Minnesota Orchestra for Bach’s Christmas Oratorio, and the Orquestra Sinfônica de São Paulo for Britten’s War Requiem with Marin Alsop; and returns to the Chamber Music Society of Lincoln Center, Philharmonia Baroque, the Philadelphia Orchestra, the Chicago Symphony for Schubert’s Mass in E-flat with Riccardo Muti, and the Toronto Symphony for performances as the title role in Bernstein’s Candide. He also serves as artistic director of two festivals next season: Collaborative Arts Institute of Chicago’s sixth annual Collaborative Works Festival, and as the first singer to be guest Artistic Director of the Laguna Beach Music Festival.
Mr. Phan has appeared with many of the leading orchestras in the North America and Europe, including the Cleveland Orchestra, New York Philharmonic, Boston Symphony, Chicago Symphony, San Francisco Symphony, Los Angeles Philharmonic, Philadelphia Orchestra, National Symphony, Atlanta Symphony, St. Paul Chamber Orchestra, Orchestra of St. Luke’s, Philharmonia Baroque, Boston Baroque, Les Violons du Roy, BBC Symphony, English Chamber Orchestra, Strasbourg Philharmonic, Royal Philharmonic, Philharmonia Orchestra of London, and the Lucerne Symphony. He has also toured extensively throughout the major concert halls of Europe with Il Complesso Barocco, and appeared with the Oregon Bach, Ravinia, Marlboro, Edinburgh, Rheingau, Saint-Denis, and Tanglewood festivals, as well as the BBC Proms. Among the conductors he has worked with are Marin Alsop, Harry Bicket, Pierre Boulez, James Conlon, Alan Curtis, Rafael Frühbeck de Burgos, Charles Dutoit, Jane Glover, Manfred Honeck, Bernard Labadie, Louis Langrée, Nicholas McGegan, Zubin Mehta, John Nelson, Yannick Nézet-Séguin, Helmuth Rilling, David Robertson, Esa-Pekka Salonen, Masaaki Suzuki, Michael Tilson Thomas and Franz Welser-Möst.
An avid proponent of vocal chamber music, he has collaborated with many chamber musicians, including pianists Mitsuko Uchida, Richard Goode, Jeremy Denk, Graham Johnson, Roger Vignoles, Myra Huang and Alessio Bax; violinist James Ehnes; guitarist Eliot Fisk; harpist Sivan Magen; and horn players Jennifer Montone, Radovan Vlatkovic and Gail Williams. In both recital and chamber concerts, he has been presented by Carnegie Hall, London’s Wigmore Hall, the Metropolitan Museum of Art, the Chamber Music Society of Lincoln Center, the Philadelphia Chamber Music Society, Atlanta’s Spivey Hall, Boston’s Celebrity Series, and the Library of Congress in Washington, DC. In 2010, he co-founded the Collaborative Arts Institute of Chicago, an organization that promotes the art song and vocal chamber music repertoire of which he is Artistic Director.
Mr. Phan’s many opera credits include appearances with the Los Angeles Opera, Houston Grand Opera, Glimmerglass Festival, Chicago Opera Theater, Seattle Opera, Portland Opera, Glyndebourne Opera, Maggio Musicale in Florence, Deutsche Oper am Rhein, and Frankfurt Opera. His growing repertoire includes the title roles in Bernstein’s Candide, Stravinsky’s Oedipus Rex and Handel’s Acis and Galatea, Almaviva in Il barbiere di Siviglia, Nemorino in L’elisir d’amore, Fenton in Falstaff, Tamino in Die Zauberflöte, Don Ottavio in Don Giovanni, and Lurcanio in Ariodante.
Phan’s most recent solo album, Gods and Monsters, was released on Avie Records in January. His first three solo albums, A Painted Tale, Still Fall the Rain and Winter Words, made many “best of” lists, including those of the New York Times, New Yorker, Chicago Tribune and Boston Globe. Phan’s growing discography also includes a Grammy-nominated recording of Stravinsky’s Pulcinella with Pierre Boulez and the Chicago Symphony, the opera L’Olimpiade with the Venice Baroque Orchestra, Scarlatti’s La gloria di Primavera with Philharmonia Baroque, Bach’s St. John Passion (in which he sings both the Evangelist as well as the tenor arias) with Apollo’s Fire, and the world premiere recordings of two orchestral song cycles: The Old Burying Ground by Evan Chambers and Elliott Carter’s A Sunbeam’s Architecture.
A graduate of the University of Michigan, Mr. Phan is the 2012 recipient of the Paul C Boylan Distinguished Alumni Award. He also studied at the Manhattan School of Music and the Aspen Music Festival and School, and is an alumnus of the Houston Grand Opera Studio. He was the recipient of a 2006 Sullivan Foundation Award and 2004 Richard F. Gold Career Grant from the Shoshana Foundation.
appears as a soloist, chamber and orchestral musician with period ensembles across the US and internationally. First-prize winner of the American Bach Soloists’ International Young Artists Competition in 2008, she holds a Master’s degree in baroque violin from Oberlin Conservatory and was a Yale Baroque Ensemble fellow in 2010-2011 under the directly of Robert Mealy. Based in Brooklyn, NY, she currently performs with Trinity Wall Street Baroque Orchestra, Boston Early Music Festival Orchestra, Carmel Bach Festival, Clarion Music Society, Washington Cathedral Baroque Orchestra, TENET, the Sebastian Chamber Players, New York Baroque Incorporated, and ACRONYM, among others. She is a founding member of the Diderot String Quartet, a new ensemble dedicated to the performance of 18th and early 19th century repertoire.
William Simms is a graduate of The College of Wooster and the Peabody Conservatory of Music. He is an active performer on the classical guitar, lute and theorbo. He has performed with the Cleveland Opera, Apollo’s Fire, the Baltimore Consort and the Violins of Lafayette. He has recorded on the Dorian, Electra and Centaur labels. In addition to his teaching duties at Hood, he is a faculty member at Mount St. Mary’s University and the Interlochen Arts Academy.
viola da gamba
is praised for his “interpretive imagination and patrician command of the cello” (The Cleveland Plain Dealer). He is a native of Holland where he was a protégé of Anner Bijlsma. He later studied baroque cello with Jaap ter Linden and viola da gamba with Catharina Meints. As a member of Sigiswald Kuijken’s La Petite Bande for sixteen years, he toured four continents and appeared many times on European television. He has also performed with the Amsterdam Baroque Orchestra, Les Musiciens du Louvre, and in over forty projects with Tafelmusik of Toronto. As a concerto soloist, he has appeared throughout North America and Europe, including such venues as the Royal Theatre of Madrid, and can be heard on acclaimed CD recordings of the Vivaldi Concerto for Two Cellos and the Tango Concerto for Two Gambas (his own composition) on British label AVIE. As a chamber musician, he has performed at the renowned baroque festivals of Utrecht and Bruges, as well as the Flanders Festival and Versailles. He can be heard on more than forty CD recordings, on the Harmonia Mundi, Philips, Virgin Classics, Erato, Sony, and AVIE labels. He serves on the faculty of the Cleveland Institute of Music as Teacher of Baroque Cello, and has given masterclasses and coachings for the New World Symphony (Miami), the University of Michigan, Oberlin Conservatory, and Cincinnati College-Conservatory.